phoenix rising

Written in 2009.

Set a torch to me
Why don’t you?

It’s not the tearing sound of fabric
A small rip
And now a tear
That I feel

It’s the torch

I’ve been here before
A job where the idealistic came
As moths to the flame
Self-immolation
Because they had ideals

I watched and burned and rose

It’s the torch
The flames that rise
As the witch is burned
Tilts back her head
In ecstasy and knowledge
Eager to learn what she can
From these burning brands

In the burning we learn
In pain we learn
If we can remain open
Ashes fall to the ground
Buckets of water
Wash any remains to grey mud
Gone, punished
Relief for the frightened
An example has been set

No but what stirs at night
Moon or none
What rises from the mud
The ashes
Takes form
Takes flight
Laughing

Set a torch to me
Why don’t you?
And see what is created

molting

I am growing
My shell hurts
It hurts it hurts!
I cannot shed it
I try and try and try
I fight
I seek allies and help
I fight
One year, two years, nearly three

I’m free
My shell suddenly releases and slides off
I can feel my soft body expand
To my real size
Bigger
Joy!

Oh!
They’re attacking!
Why why!
My brothers! My sisters!
No!
Your claws hurt!
They are cutting me
Ow ow stop why!

I run
Scuttle sideways
Soft and clumsy
Hide
In the mud

Why why?
Oh, my wounds ache
Stabbed
By multiple claws
Deepest pain
In my heart
At this betrayal.

I hide
I sit
I think

It was so hard
To shed my shell
Why would they attack?

Oh!
Their shells hurt too!
Their words
They were grabbing me
To try to see how I’d shed my shell
They were desperate
Oh they must be in such pain!

Can I forgive them?
Do they know not what they do?

I hide
I sit
I think
I heal

My shell is strong now
I am bigger

I will go forth
And see who is trying to shed their shell
I will try to protect the newly molted.

resistance

Over and over
I resist
I stand at the edge
I stare at the torrent
The cliff
The falls
The abyss

Over and over
I resist

Over and over
I let go
I fall
Over the cliff
Down the falls
Into the abyss

Over and over
I am sure
I will drown
I will lose my way
I will not surface

Ecstasy is in the air
Between trapezes

I am elsewhere
I am other
No words
No thoughts
No body
No mind

The water is cold
As I expect
When I hit
I knew by the spray
Before I jumped

Submerged
Immersed
Subversive
Over and over

I am born
From the surf
I emerge
From the waves
I am delivered

Fear is my key
Grief is my key
In the places I do
not want to go
That’s where I must go

Over and over I resist
And then let go

Painting angels

You were an artist
You are an artist
You said that you’d have to live to 120 to finish all your projects
And died at 61
I keep wondering
what the art supplies are like
and if you work on sunsets
or mountains
or lakes

Trey, 9
made a clay fish last summer that I admire
He said grumpily “It’s too bad Grandma Helen died before I could do clay with her.”
He tells me he’s ready to make raku pots to fire in your ashes as you wished
I ask what he’d make
He considers and says, “What was Grandma Helen’s favorite food?”
I can’t think and say that she liked lots of foods
At the same time wondering squeamishly if maybe
he should make a vase and then being surprised
that I am squeamish and thinking of blood and wine,
too, I wonder if my dad would know. “Maybe guacamole.”
I need to find a potter to apprentice him to.

Camille, 4.
asks how old Grandma Helen was when she died.
I explain that she died at 61 but her mother died at 92.
Camille asks how old I am.
40.
When are you going to die?
I say I don’t know, none of us do, but I hope it’s more towards 90.

Camille studies me and is satisfied for now.
She goes off.
I think of you.

I perpetuate
the Christmas cards you did with us
upon my children.
They each draw a card.
We photocopy them and hand paint with watercolors.
Camille wants to draw an angel
and says she can’t.
I draw a simple angel
and have her trace it.
She has your fierce concentration
bent over tracing through the thick paper
She wants it right.
The angel is transformed.

My kids resist the painting after a few cards as I did too.
Each time I paint the angel
to send to someone I love
I think of Camille
and you
and genes
and Heaven
I see you everywhere


January 19, 2002

published in Mama Stew: An Anthology: Reflections and Observations on Mothering, edited by Elisabeth Rotchford Haight and Sylvia Platt c. 2002

For the RDP: another day.

There appears a flight of dragons without heads.

The flight appears
the dragons have lost their heads
they flame indiscriminately
but since they have no heads
the flame does not appear here

they loop in the air
in formation
and are beautiful
nearly silent
no heads to scream
just their wings
on the wind

we stand transfixed
and watch them

the flight
the dragons
who have lost their heads

I have seen the frogs

I have seen the frogs
in the northwest

all you have to do is be quiet
near the puddles
or a pond

walk there very very quietly

in the spring they are singing
to each other
calling
a symphony of longing and joy
and they don’t hear me
when I walk very quietly
at the end of the world

as a child my father teaches me
to catch frogs

very quietly
approach the pond
or puddle

if the frog hears you
it will duck under water
you will only see a ripple
spreading out

or it will hop
into the woods
and hide

my father
would occasionally use frogs
as bait
to catch northern pike
a live frog on a hook
frogs scream
when you stick a hook through their back

I hope they go into shock then
and don’t feel much

one we’d seen this
my cousins and my sister and I
when my father got his fishing rod
we’d run through the woods
yelling “Hide the frogs, hide the frogs!”
and we would catch any frog
that was dumb enough not to hide
and quickly set it in the woods
to hide it from my father

we would check the puddles, too
feeling in the brownish muck
to make sure no frog was hidden
in the shallow puddle
come out, you must go in the woods
to survive

to catch the smart ones
normally
we would tiptoe to the puddle
hoping a frog was facing the other way
if they saw us, they were gone

slowly bend down, hand out
behind the frog
reach gently
grab just above the back legs
not too hard, don’t squish it

I was under ten
on a canoe trip
when I run to my father
“A frog! A frog! The biggest frog I’ve seen!
Papa, come help!”
My father comes.
An enormous frog is beside the canoe.
“Catch it.” says my father.
“Please! You catch it!” I beg.
My father creeps up on the frog.
His hand moves out slowly.
He grabs the frog, who tries to jump
and croaks, a bass, huge mouth.
“It’s a young bullfrog,” says my father.
“It will get even bigger.”
He hands it to me.
I take it carefully, shaking a little.
“We could eat it’s legs.”
“NO!” I say. I just want to hold it for a minute.
I turn it over and gently stroke it’s throat.
The frog goes limp, mesmerized.
I set it down gently, right side up,
near the water.
I squat by the frog and wait.
I am waiting for it to wake up.
The frog is so beautiful.
I wait until it wakes up
and returns home.

even if

even if

I never see you again
you never speak to me again
you never love your bearish parts
you never let yourself get angry
you never let yourself get sad
you never let yourself feel
you tell yourself you are happy
you tell yourself everything is the way it should be

even if

I never see you again

I still love you
I still forgive you

I still love you

I hope that you truly do

find happiness

for a while

I am as happy as I am going to be
for a while

missing you

I’ve let you go
you know

I resisted
disbelief for a day
two days
three days

you were so loving
acted loving
more loving than anyone ever before

and gone
angel to demon
fallen
daily talk
to none

you have decided
to be a hermit
free
to do what you want

I let you go
and with my blessings

I want you to be happy

I am as happy as I am going to be
for a while

missing you

Letter to a younger friend

After my mother died I really struggled, partly because I was in the midst of a divorce and felt like a massive failure. I did not like myself. But I kept thinking about my mother and how much she hid: and eventually I thought, you know, I love all of my mother. Even the stuff she hid. If she is lovable then so am I.

What is lovable in your parent? And would you miss her/him if she/he were truly gone?

That is the hard thing for me, that I couldn’t think about that until she was dead. With my sister, I thought about it before she died and changed how I behaved and let her know when I disagreed with her. Even though she had cancer.

Isn’t the greatest gift we can give each other loving honesty? I love you and I disagree with you and I am not going to do what you want just because you (are my mother/are my father/have cancer/have emphysema/want it/are dying). Isn’t the greatest gift to be ourselves and take the flack for it?

Cucumber love is a poem I wrote more then ten years ago about dropping the exoskeleton that we wear for society’s and our family’s approval. It takes courage. You can drop a little piece at a time and let them get used to it. And yes, some people may reject you for good. That is their choice. But you have to ask yourself then, did they ever really love you or did they only love to control you?

Cucumber love

They say they love you
And they do

Sort of

One day you find yourself
Wearing a construct
An exoskeleton
Awkward
You can move
See out

You built it slowly over years
Because that’s what you were told to do
You wanted to be loved
It made you feel safe

There is praise
Or at least pressure to keep it on
You may not have known it was there
And slowly begin to feel
Who you really are
Awaken to the shell

One day you slip out

They are still saying how much they love you
To the empty construct

You watch bemused
For a while

You say “That isn’t me.”
“Of course it is,” they say

“I’m over here,” you say

Shock and outrage
“That’s not you!
You’ve changed, you’re depressed
Confused, manic, gone out of your mind!”
Off the deep end

You might even go back in to
the construct for a little while

But now you’ve tasted freedom
You won’t be able to stand it for long
You will be out soon

Some people will see you as you really are

Some people will tell you they still love you
But as they say it to the construct
They act as if you’re still wearing it
They still think you love cucumbers
Though you ate that dish once to be polite
They hold the construct in their minds
Even after you’ve destroyed it
And behave the same as they ever did

As you walk away
You will wonder who they loved