the mystic E2 dragon

We are writing a quest where we ask different people to write more about a topic. The requests are anonymous and some are for existing titles that have no write ups. This topic was given to another person and then I was asked to write about it as well. My sister was an editor on the everything2 website. She was born in the year of the dragon. She died of cancer in 2012.


the mystic E2 dragon




“They want me to write about the mystic E2 dragon.”


“So I think of you.”

Silence… a weight. “So it’s me?”

“No, but you are a dragon, born in the Year of the Dragon.”

“Like we’re Chinese.”

“Yeah, well.”

“And you are an ox.”

“Thanks.” I wait. “Come on, show up.”

The dragon is made of a coat hanger, a rough gold cloth and black felt hand sewn to the body, thin gold cloth on the wings, gold earrings with rubies for eyes. Probably fake rubies, I’m not sure. I made it in college, tail to curl around the neck so that it can sit upright on my shoulder when I walk around. A gold fire lizard. I gave it to my sister, who said I could take it back when she lay dying.

The dragon morphs and now fills the living room, pushing on the walls and squashing me. The scales are hard and hot!

“Stop it!” I say, “Don’t destroy the house!”

The dragon is now couch size. My couch groans under it. The dragon is very alive and smoke rises from her nostrils. It manages to look like my sister, like a dragon and like the borg all at once. Metal and wires on the left side of the dragon’s face, eye socket with a metal camera that whirrs.

“Mind the couch.” I say.

She shifts a little, not shrinking. I peel myself off the fireplace, with the ache of the metal insert and the mantel on my back.

“So.” I say, “what should I tell them?”

She narrows her eyes at me and shrugs.

“What do they want to hear?”

“You tell me.”

“Keep the site alive.”

“Yeah, ok.” I wait.

She looks around. “Your dust bunnies are dying of old age.”

“That’s ok.” I say. “They are better than a guard dog.”

She snorts smoke.

“Tea?” I say. I have it made already, on a tray. The tray was painted by one cousin, the tea cloth woven by another, the teapot made by our mother, with my poem on it.

She takes the cup and saucer delicately. Five claws on each forefoot.

“What’s it like?” I say.

Shrug again, as she sips the tea.

I wait.

“I’m not telling you. And this is your active imagination, so what a stupid question.”

“But I am talking to the unconscious.”

“Yeah, whatever. And anyhow, you’ve already decided, puny human.”



And here a curtains drops, while I thank her and we say goodbye.


Submitted to the Daily Prompt: candid.

containment in ceremony

This is for Taleweaver #147 – What brings you joy?

My minister talks about containment in ceremony.

That the ceremony can be a container for us to handle our worst selves and our best selves safely.

The Catholic mass is an example, particularly when it was in Latin. That it takes us through horror and suffering and death and then resurrection. This past weekend we performed the Mozart Requiem, from grief through joy.

My minister says that Western Civilization has lost the container for spirituality in the churches and instead holds the sacred in a love relationship. He says that the projection of one’s best self on the loved one can then flip into the projection of one’s worst, if we are not careful. We are attracted to people who have some of the aspects that we hide in our unconscious, so these are activated and projected. We magnify the talents and the beauty and wisdom of the love object. They are not real. True love is when we can slowly withdraw the projection and see the actual person who is there and then really love them.

I am taking a class where we are reading The Maiden Tsar. I am thinking of the chicken feet that Baba Yaga’s house stands on. We say that a person is chicken when they are afraid and won’t go forward, a coward. So Baba Yaga’s house on chicken feet: it is a house of fear, fear alive, terrifying. And what do we find in this most frightening place? We find that that our culture has most devalued: an old woman, not beautiful, not fertile. And she cares nothing for logic. In order to meet her challenge and not be destroyed, we must use our intuition, not our logic. No linear thinking, but a respect for magic and for humor.

I am thinking of the grandmother theory, that women have a dramatic menopause because they are the tribal memory. They have to survive the famine, raise the grandchildren, remember where there might be food, remember tricks and things forgotten. A useful man may remain fertile for the tribe, but a useful woman loses hers, because she is now a walking repository of knowledge. And western civilization has denigrated and ignored her: so she lives in the house with chicken feet.

My children are now adults but they do not have children yet. I am a practicing grandmother though. I am living alone for the first time in 28 years. I practice on other people’s children. A two year old loves my house: there is a stick dragon in the closet that roars if you press his throat. There are toys that he can’t take home. “That is mine. You may play with it while you are visiting.” I put a towel on the floor and get the espresso set out. I have never made espresso. He sits on the towel and pours water from the coffee pot until the cup overflows, the saucer overflows, the towel is soaked. He looks up at me, holding the coffee pot. “More?” I say. He hands it to me and I fill it with water again. His mother is surprised that he is wet from head to toe when she picks him up. By then the towel is cleared, the coffee set is drying, and he and I share a glance, our secrets safe. Until the next visit.