child

some people say
they just want their children to be happy

not me
I don’t understand that
to want a child to be happy
fixed in amber
with one emotion

I want my children
to feel what they feel
to feel happy, unhappy, sad, angry
gloomy, ecstatic, joyous, jealous
snarky, sarcastic, silly, relaxed
to feel the full gamut
the full rainbow
of emotions

In my mother’s family
they pack their sorrows in their saddlebags
and ride forth singing

the trouble is
the saddlebags get heavier over time
weighted with grief and fear and anger
or whatever is unacceptable
to the family
until the horse staggers under the weight
falls over
dead

then they must try to drag the saddlebags
too heavy for the horse
through their lives

I am gifted my mother’s letters
when my mother is in the hospital
the tuberculosis sanatorium
the first letter a month
after I am born

My mother is cheerful in the letters
a little snarky about her roommate
a little lonely

But what stands out is what’s missing
She barely mentions me
in some letters not at all
her first baby
who misses her
and who she can only see outside
through a window

And what was in her saddlebags?
When she coughed blood 22 years old
and eight months pregnant
she thinks she has lung cancer
and will die

She says this without emotion
lightly
almost as a joke
a relief when it was tuberculosis
even though that meant six months
in the sanatorium
separate from her young husband
and baby
at least she was not dying

She doesn’t get to hold me again
until I am nine months
and I have no idea who she is.

The worst thing anyone can tell me
is that I should not feel the way I feel.

I shut down.
I don’t stop feeling how I feel
but that person is locked out.
I will not trust them with my feelings
for a long time
I am an expert at hiding my feelings
raised in an emotionally dangerous
household
and physician training as well.

Once on the boat
my daughter says, “Mom, I’m scared.”
My father says, “Don’t be scared or go below.”
“No.” I say, “Come here. What are you scared about?”
We have run aground.
Too impatient to wait for the tide
we are trying to winch ourselves off.
“I am scared we are trapped.” says my daughter.
“How far is shore?” I say.
We are in the marina.
“Not far.” she says.
“Could we get to shore?”
“Yes.”
“Are you still scared?”
“No.”
Soon a rowboat comes and takes the kids
to shore to play.

“Don’t be scared or go below.”
That was my childhood.
Emotions as monsters.
I went below.
I chose to make friends with the monsters.
I feel what I feel.
One friend says, “Of anyone I know,
you process your feelings in real time.”
and I laugh, but am honored,
because it took years
to reach this.

Don’t share your feelings with fools.
Don’t share your feelings with people
who want you a certain way,
or who try to control you.
You have a right to your feelings
as they are.

And this is what I want for my children.

The photograph is my mother and me in March 1963. I do not know who took it, perhaps my father. I would have been right around 2 years old and my mother was 24. I did not see these photographs from when I was first back with my parents until after they both died.

Ride Forth

I thought I had posted this, but I do not find it.

Ride Forth

My grandmother
Packed all her troubles in her saddlebags
And rode forth singing

My mother
Packed all her troubles in her saddlebags
And rode forth singing

My father
Was the only one
Who ever saw the contents
He tried to drown them

My mother was loved
For her charm

I ride forth
Sometimes I sing
Sometimes I weep

My saddlebags are empty

Prayer flags flutter
Slowly shred
In the wind

I write my troubles
And my joys
On cloth
And thank the Beloved
For each

My horse is white
When I sing
Black
When I cry
A rainbow of colors
In between
The whole spectrum
That the Beloved allows

After I emptied
My saddlebags
I tried to leave them
But the people I meet
Most, most, most
Are frightened

A naked woman
On a naked horse

I had to leave my village
When I learned to ride her
Made friends with her
Beloved
My village does not allow tears
When she turns black
Their saddlebags squirm and fight
The people try to throw them on my horse

In other places
The horses are all black
The white aspect of the Beloved
Frightens them
And they attack

I carry saddlebags
And Beloved is a gentle dapple gray
And the illusion of clothes surrounds me
When we meet new people
Until we know
It is safe to shine
Bright
And dark

I hope that others ride with the Beloved
In full rainbow

I ride forth
Sometimes I sing
Sometimes I weep

Even the color lonely
Is a part of the Beloved

________________________

The photograph is of a watercolor of my sister, Christine Robbins Ottaway, by my mother, Helen Burling Ottaway.

Happy mum

Those aren’t mums, you say. No, I am the happy mum! My daughter has a birthday this week. I got the flowers at the Farmer’s Market and what a lovely bouquet. My car was acting up and yesterday I took it to be checked and it was the battery. Today: plumbing, sigh. But I am still a happy mum!

For Cee’s Flower of the Day.

Child memories

This photograph is from a box sent by my cousin. My sister Chris and my mother Helen. On the back it says “pear tree”. My mother would try to assemble the parts of the Twelve Days of Christmas. When I was in my teens, she would hang glittery pears on her avocado tree that she had grown from a seed. One partridge, two calling birds. She had seven tiny glass swans that she would set swimming on a mirror lake, with white fluff around it for snow. I don’t think she got past seven. My mother had wonderful traditions that she developed for Christmas. She loved the old carols and wouldn’t sing the modern ones at all.

I think my grandfather or grandmother took this photograph. I thought, why isn’t it square? But it isn’t: it was cut from a page and is a bit of a trapezoid.

My sister is about four, so this would be from around 1968.

For the Ragtag Daily Prompt: children.

Water vessel

This is a brazen water vessel that belonged to my grandparents. My maternal grandmother was born in Turkey, because her parents were Congregationalist missionaries to Turkey, my great grandfather running Anatolia College. They were escorted to the border in 1915, when my grandmother was 16 years old. Thrown out.

I have a picture of my mother, dressed in a Turkish outfit, with it on her shoulder. I wish I had more of the story!

For the Ragtag Daily Prompt: brazen.

Daily Evil: A is for Anger

Welcome to April Blogging from A to Z.

A friend of mine died in February. She has known me since I was born, because she was in college with my parents. In fact, my father got arrested for having her graduation party, though it was thrown out of court. Knoxville, Tennessee, in 1963, and the problem with the party was that it was mixed race. Luckily there were no drugs and no minors drinking. I was the youngest minor, age 2. My mother was left with me, terrified that she could be lynched.

Anyhow, this friend is an artist, like and unlike my mother. I spoke to her daughter-in-law a few days ago and she says she is in the anger stage of grief. Yes, I know what she means. And new grief brings up all the old grief. How annoying. March 29 was the day my little sister died of cancer, so that all comes up too.

I keep reading that we should be positive. I hate it and I disagree. Sometimes we can grieve and go through stages of grief. Anger can be an indication that we are in a bad relationship or that we are being mistreated. Sometimes it is connected to old past anger, though, that needs to be cleared out. Have I succeeded with that? I don’t know.

Is anger evil? I do not believe any feelings are evil. Acting on them may be evil, but it’s complicated. Feelings are information, part of our senses. This doesn’t mean that we always interpret things correctly, so sometimes we need to check. “When you said this, I interpreted it this way. Is that what you meant?” I usually have to wait a week if I am upset about something, so I can have the feelings calm. I get better and better about not acting on anger. I do not mind feeling it.

A is for Adam and Eve as well. This is one of Helen Burling Ottaway’s etchings, titled “First Valentine”.

For the process of making an etching, read here. This is from 1982, number 29 out of 35, a limited edition each run and signed by the artist.

Learn young

This child is not afraid of the saxophone because she is growing up with it. The saxophone player is her father. She’s ready to help and be up on stage as well! She’ll have a fabulous jazz foundation and her father didn’t miss a note!

This is Tuesday night at the Bishop Hotel in Port Townsend, Washington. Chris Miller and Peter Leopold Freeman.

For the Ragtag Daily Prompt: saxophone.