Angel witness
The first poem in this trilogy was written in 1984. The next two were written twenty years later. Like ouroboros, the snake eating its own tail.
The first poem popped into my head while I was thinking about flowers. The second two were both problem poems. Most of my poems are problem poems: I sit down with a problem that I am working on and start writing about it. I do not know where the poem is going to go and I am always surprised. And it often goes somewhere that I don’t expect. Often it is a map for where I aspire to go emotionally, but usually I am not there yet when I finish the poem.
This poem is NOT part of the Falling Angels series of poems. This one is fun and silly and rhymes. This one is for today’s Ragtag Daily Prompt: amenable.
Written in 2009.
Set a torch to me
Why don’t you?
It’s not the tearing sound of fabric
A small rip
And now a tear
That I feel
It’s the torch
I’ve been here before
A job where the idealistic came
As moths to the flame
Self-immolation
Because they had ideals
I watched and burned and rose
It’s the torch
The flames that rise
As the witch is burned
Tilts back her head
In ecstasy and knowledge
Eager to learn what she can
From these burning brands
In the burning we learn
In pain we learn
If we can remain open
Ashes fall to the ground
Buckets of water
Wash any remains to grey mud
Gone, punished
Relief for the frightened
An example has been set
No but what stirs at night
Moon or none
What rises from the mud
The ashes
Takes form
Takes flight
Laughing
Set a torch to me
Why don’t you?
And see what is created
I am growing
My shell hurts
It hurts it hurts!
I cannot shed it
I try and try and try
I fight
I seek allies and help
I fight
One year, two years, nearly three
I’m free
My shell suddenly releases and slides off
I can feel my soft body expand
To my real size
Bigger
Joy!
Oh!
They’re attacking!
Why why!
My brothers! My sisters!
No!
Your claws hurt!
They are cutting me
Ow ow stop why!
I run
Scuttle sideways
Soft and clumsy
Hide
In the mud
Why why?
Oh, my wounds ache
Stabbed
By multiple claws
Deepest pain
In my heart
At this betrayal.
I hide
I sit
I think
It was so hard
To shed my shell
Why would they attack?
Oh!
Their shells hurt too!
Their words
They were grabbing me
To try to see how I’d shed my shell
They were desperate
Oh they must be in such pain!
Can I forgive them?
Do they know not what they do?
I hide
I sit
I think
I heal
My shell is strong now
I am bigger
I will go forth
And see who is trying to shed their shell
I will try to protect the newly molted.
Over and over
I resist
I stand at the edge
I stare at the torrent
The cliff
The falls
The abyss
Over and over
I let go
I fall
Over the cliff
Down the falls
Into the abyss
Over and over
I am sure
I will drown
I will lose my way
I will not surface
Ecstasy is in the air
Between trapezes
I am elsewhere
I am other
No words
No thoughts
No body
No mind
The water is cold
As I expect
When I hit
I knew by the spray
Before I jumped
Submerged
Immersed
Subversive
Over and over
I am born
From the surf
I emerge
From the waves
I am delivered
Fear is my key
Grief is my key
In the places I do
not want to go
That’s where I must go
Over and over I resist
And then let go
You were an artist
You are an artist
You said that you’d have to live to 120 to finish all your projects
And died at 61
I keep wondering
what the art supplies are like
and if you work on sunsets
or mountains
or lakes
Trey, 9
made a clay fish last summer that I admire
He said grumpily “It’s too bad Grandma Helen died before I could do clay with her.”
He tells me he’s ready to make raku pots to fire in your ashes as you wished
I ask what he’d make
He considers and says, “What was Grandma Helen’s favorite food?”
I can’t think and say that she liked lots of foods
At the same time wondering squeamishly if maybe
he should make a vase and then being surprised
that I am squeamish and thinking of blood and wine,
too, I wonder if my dad would know. “Maybe guacamole.”
I need to find a potter to apprentice him to.
Camille, 4.
asks how old Grandma Helen was when she died.
I explain that she died at 61 but her mother died at 92.
Camille asks how old I am.
40.
When are you going to die?
I say I don’t know, none of us do, but I hope it’s more towards 90.
Camille studies me and is satisfied for now.
She goes off.
I think of you.
I perpetuate
the Christmas cards you did with us
upon my children.
They each draw a card.
We photocopy them and hand paint with watercolors.
Camille wants to draw an angel
and says she can’t.
I draw a simple angel
and have her trace it.
She has your fierce concentration
bent over tracing through the thick paper
She wants it right.
The angel is transformed.
My kids resist the painting after a few cards as I did too.
Each time I paint the angel
to send to someone I love
I think of Camille
and you
and genes
and Heaven
I see you everywhere
January 19, 2002
published in Mama Stew: An Anthology: Reflections and Observations on Mothering, edited by Elisabeth Rotchford Haight and Sylvia Platt c. 2002
For the RDP: another day.
The flight appears
the dragons have lost their heads
they flame indiscriminately
but since they have no heads
the flame does not appear here
they loop in the air
in formation
and are beautiful
nearly silent
no heads to scream
just their wings
on the wind
we stand transfixed
and watch them
the flight
the dragons
who have lost their heads
I have seen the frogs
in the northwest
all you have to do is be quiet
near the puddles
or a pond
walk there very very quietly
in the spring they are singing
to each other
calling
a symphony of longing and joy
and they don’t hear me
when I walk very quietly
at the end of the world
as a child my father teaches me
to catch frogs
very quietly
approach the pond
or puddle
if the frog hears you
it will duck under water
you will only see a ripple
spreading out
or it will hop
into the woods
and hide
my father
would occasionally use frogs
as bait
to catch northern pike
a live frog on a hook
frogs scream
when you stick a hook through their back
I hope they go into shock then
and don’t feel much
one we’d seen this
my cousins and my sister and I
when my father got his fishing rod
we’d run through the woods
yelling “Hide the frogs, hide the frogs!”
and we would catch any frog
that was dumb enough not to hide
and quickly set it in the woods
to hide it from my father
we would check the puddles, too
feeling in the brownish muck
to make sure no frog was hidden
in the shallow puddle
come out, you must go in the woods
to survive
to catch the smart ones
normally
we would tiptoe to the puddle
hoping a frog was facing the other way
if they saw us, they were gone
slowly bend down, hand out
behind the frog
reach gently
grab just above the back legs
not too hard, don’t squish it
I was under ten
on a canoe trip
when I run to my father
“A frog! A frog! The biggest frog I’ve seen!
Papa, come help!”
My father comes.
An enormous frog is beside the canoe.
“Catch it.” says my father.
“Please! You catch it!” I beg.
My father creeps up on the frog.
His hand moves out slowly.
He grabs the frog, who tries to jump
and croaks, a bass, huge mouth.
“It’s a young bullfrog,” says my father.
“It will get even bigger.”
He hands it to me.
I take it carefully, shaking a little.
“We could eat it’s legs.”
“NO!” I say. I just want to hold it for a minute.
I turn it over and gently stroke it’s throat.
The frog goes limp, mesmerized.
I set it down gently, right side up,
near the water.
I squat by the frog and wait.
I am waiting for it to wake up.
The frog is so beautiful.
I wait until it wakes up
and returns home.
even if
I never see you again
you never speak to me again
you never love your bearish parts
you never let yourself get angry
you never let yourself get sad
you never let yourself feel
you tell yourself you are happy
you tell yourself everything is the way it should be
even if
I never see you again
I still love you
I still forgive you
I still love you
find happiness
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