On top of Mount Walker, taken in 2014 on a hike with my aunt and uncle.
We need tea afterwards, so this is for the Ragtag Daily Prompt: teapot.

On top of Mount Walker, taken in 2014 on a hike with my aunt and uncle.
We need tea afterwards, so this is for the Ragtag Daily Prompt: teapot.

I used to stop by more
but the people were less and less
the interactions faded to grey
I didn’t feel loved
I used to be ok with that
not feeling loved
not feeling valued
but now I want to be loved
And I am loved, to my surprise
as if a little love
has opened longing
so that I want more love
I want to be loved and feel loved
I send everyone love
even those who have been mean
and the incessant downvoters
and those who have me blocked
or don’t answer or ignore
or leave the catbox when I show up
I send love to you too
but now that I have a small crack
of love in my life, like the sun
shining on a crack in concrete
the seed stirs in sun and water
and grows
written 12/26/17. I wrote this about another writing site. It is falling to bits, like a old building not maintained. It makes me sad, because it is where my sister used to write. She died in 2012 and I still often miss her.
One must go through the water.
One might choose not
avoid
there are ways to avoid feelings
Another one might choose not
I let go
and fall
and the water closes over my head
and I let myself sink
all the way down
even
if I am over
a deep trench
once down
once deep
I open my eyes
and let my breath out
and let the deep rush in
I don’t know why
people avoid this place
it is dangerous
but so beautiful
the darkness
with beings that glow
some attack
of course
but I too am a monster
bare my fangs
and receive respect
or fear
or friendship
I am very safe here
it is so familiar
in the deep
I took this at Lake Matinenda, Ontario, in 2014.
For the Ragtag Daily Prompt: simple pleasures.
you are so beautiful
I love you so much
and I see you
so clearly
I look at you
I wish
you could see me
you see the darkness
the bear
you carry with you
and project
on me
you hold the bear
at a distance
you see it
all the time
in other people
when the bear comes
I hold open my arms
and welcome it
and I don’t yell
the bear roars
with dripping teeth
tries to terrify me
and I reach for it
me too
I say
come meet
my monsters
all my monsters
anger fear grief
shame
come out
the bear
stares at them
they hold out
their arms
the bear bows
his head
and we surround him
and welcome him
and love him
the bear cries
because you don’t love him
the bear cries
and cries and cries
we hold the bear
and cuddle him
and feed him
and try to warm him
and do the best we can
but we are not you
you come towards me
seeing the bear
fortified by my monsters
you attack
and my monsters hide
and hide your bear
and you stand
sword ready
to split us apart
confused
where is the bear?
you are sure
you see a bear
but it is gone
and I am a little girl
the naked sword is raised
the gun is loaded
you and weapons ready
no bear
you lower the gun
the sword
and make excuses
and leave
and the bear
hugs us all
thanks us
as you leave
the bear walks faster
nearly a shambling run
and dissolves into you
we wave
my monsters and I
we wave goodbye again
send love
to you and your bear
For the Ragtag Daily Prompt: myopic.
when your parents die
you will find what they saved
you will find things in the house
that you do not know why they saved
you may find linens carefully folded
and papers from the past
the linens embroidered by ancestors
but you cannot ask which ones
photographs of people you don’t know
and which are not labeled
a reference to a ring that your great aunt had
but she has been dead since 1986
when you go to your parents’ house
ask them what they have saved
ask them why it has been saved
ask them now
because when they are gone
it is too late
to ask about what they saved
________________________
There are also families estranged, where they have cut ties or emigrated or escaped abuse, and have reason not to save anything or speak about it.
We want freedom but we want love too. For the Ragtag Daily Prompt: freedom.
These are etchings by my mother, Helen Burling Ottaway, who died in 2000.
All four are done with the same etching plate.
Winter is done first. The zinc plate is covered with a protective layer and then she draws with tools, including dental tools. The plate is placed in an acid bath. The acid etches where the drawings are, different depths. The protective layer is removed. The plate is inked. Most of the ink is gently wiped off and the plate is placed on the press. Wet paper is laid on the plate and the heavy wool covers are folded down over that. The press is run. The wool is folded back on the other side and the paper is lifted and laid to dry.
The plate is re inked for each one.
She puts the protective cover back on the plate and adds the buds for spring. These are etched. Winter is now gone, the plate has changed. She prints all of the spring series.
Next is summer. Leaves are added. She prints those.
Last is autumn. Now there are leaves on the ground as well. She does some the plates with more than one ink color. This was one of her largest etchings. She did a small series first, where the etchings were about 4 by 6 inches. This was 18 by 24. She had a really big etching press. I don’t know who has it, my sister took it to California and it disappeared.
I have the etchings and I have all the plates. I can’t run this series, I could only run autumn. I grew up surrounded by my mother doing art, etchings, watercolors, oils, lithography, a constant sketchbook and crafts. I took a painting class a few years ago. The instructor says, “Acrylics are NOT watercolors.” I reply, “I know how to DO watercolors.” I was being quite creative with the acrylics only I automatically used the watercolor techniques that I grew up with.
The photograph doesn’t really do them justice. I will have to take some more. Plus I have her slides in some of the boxes left from when my father died. More cataloging.
Blessings and good memories of my mother.
Boa Black would often wait in the yard, watching. What was she waiting for?
These:

Boa really liked the fawns. She would wait and watch the path into my second lot.
I have a 1930 house and a 1930 garage. The garage is on the lot line and one side extends five feet into a second lot, that is set at 90 degrees to the house lot. I quit mowing the second lot when I was divorced, working, and had two kids. I talked to the neighbors on the block and no one objected. The lot is hidden from the road by a huge bank of rosa rugosa.
The deer have used the lot in some years to stash young fawns while they made their rounds.
This is taken with a 26X zoom, so the fawn saw me but did not get spooked. Actually the fawn was hopping around in the second lot and managed to look guilty when I first saw it. Uh-oh, mom told me to stay hidden. It lay down and tried to pretend it had been behaving the entire time.
Boa Cat died in early 2020, after 17 years with me, a kitten from the pound. In memorium.
I get Ms Bun and the blanket from my church silent auction fundraiser. She did not have many bids, so I bid on her.
When I get her, I wonder who to give her to.
I am gone for two weeks, with a cat sitter coming in daily. The cats are bigger but still kittens. They are amazed when I get home. They are so surprised. I get the impression that they thought I was gone forever.
They are even more delighted when I go to bed. They purr and purr and purr. I am staying! They are very happy.
Today I have to get groceries. When I return, I see who Ms Bun is for. She helps take care of the cats when I am not here, and they both cuddle in her lap.
Welcome, Ms. Bun.
sweep through the woods
sweep past the forest
the car winds along the road
we are warm inside
new broom sweep clean
new years starts again
old broom used and worn
old year illness torn
new broom brought to floor
new year contemplated
old broom set aside
old year must abide
new broom awkward feel
new year challenge real
old broom may have use
old year research truth
__________________________
For the Ragtag Daily Prompt.
BLIND WILDERNESS
in front of the garden gate - JezzieG
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in search of a better us
Personal Blog
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π πππππΎπ πΆπππ½π―ππΎππ.πΌππ ππππΎ.
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Anne M Bray's art blog, and then some.
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