R is for Resume

I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway.

I find two copies of her resume. One is from 1991 and one from 1993. I will add the 1993 information, but it’s a LOT. My mother was prolific! She complained about getting ready for shows and I did not realize how very many she did! I am so proud of her. She died of ovarian cancer in 2000 and I do miss her still.

Helen Burling Ottaway

  Del Ray Atelier

105 E. Monroe Ave

Alexandria, VA 22301

SELECTED SOLO SHOWS

1991 Nov     Will have solo show at Bird-in-Hand Gallery, Washington, DC

1989 Sept     “Cascades: Watercolors of Washington State”, Bird-in-Hand Gallery, Washington, DC

1988 Nov     “Fantasy Etchings”, National Orthopedic Hospital, Arlington, VA

1987 Oct      “Spirits to Enforce, Art to Enchant”, Fantasy Art, River Road Uniterian Church, Bethesda, MD

1986 Mar     “Prints and Poems”, Poetry by Katy Ottaway, Martin Luther King Library, Washington, DC

1984 Nov     “Forests, Flower, and Fantasies”, Sola Gallery, Ithaca, NY

          Apr     “Birdland and other Lullabies”, Pastels, Gallery West, Alexandria, VA

1981 May    “Fantastical Bestiary”, Etchings and Drawings, Gallery West, Alexandria, VA

          Mar     “The Way of the Brush”, Watercolors, Gallery One, Alexandria, VA

TWO PERSON SHOWS

1986 Nov     Two Person Show, “An Occasional Pair of Claws”, Fantasy Art with Omar Dasent, Gallery West, Alexandria, VA

1985 Apr     Two person Show, “Figures and Foliage”, Pastels, Capital Centre Gallery, Landover, MD

1982 Nov     Two Person Show, “The Four Seasons”, Gallery West, Alexandria, VA

SELECTED GROUP SHOWS

1990 Feb     “Visions 1990” Westbeth Gallery, New York, NY

1989 Feb     “Year in—Year out”, Studio Gallery, Washington, DC

1988 Mar     “independent Visions III”, Metro Gallery, Arlington, VA

          May     Juried Show, Sculpture, The Art League, Alexandria, VA, Juror: Bertold Schmutzart

1987 Dec     Juried Show: “The Best of 1987”, Martin Luther King Library, Washington, DC, Jurors: Dr.

                     Jacqueline Serwer, Sandra Wested, Robert Stewart

1987 Apr     “Independent Visions, Fifteen Women Artists”, Metro Gallery, Arlington, VA

          Feb     “Portraits 1987”, The Art Barn, Washington, DC

1986 Oct     “Juried Show, “Printmakers VIII”, The New Art Center, Washington, DC

          Jan     “Independent Visions”, Metro Gallery, Arlington, VA

1985 Dec    Invitational, “Highlights of the Year”, Martin Luther King Library, Washington, DC. Jurors:

                     Linda Hartigan and Monroe Fabian

          Nov    Invitational, “The Macadam Nueve-Splintergreen Conspiracy Show”, Gallerie Inti,

                     Washington, DC. Curated by Omar Dasent and Ann Stein

          Oct      Juried show, “Printmakers VII”, WWAC, Washington, DC. Juror: Jane Farmer

          Mar     Invitational, “Mama, Don’t Let Your Babies Grow up to be Artists”, The Splintergreen

                      Conspiracy, Martin Luther King Library, Washington, DC. Curated by Omar Dasent

          Mar    “Shakespearean Images”, Hofstra University, Hempstead, NY

1984 Nov     Juried Show, “Printmakers VI”, WWAC, Washington, DC. Juror: Carol Pulin

           July     Juried Show, “Printmakers VI”, WWAC, Washington, DC. Juror: Jo Anna Olshonsky

           Oct      Four Person Show, “Just Four”, Galerie Triangle, Washington, DC

                        “The First Great American Camel Show”, Gallery West, Alexandria, VA

1983 Mar      Juried Show, “Printmakers V”, WWAC, Washington, DC. Juror: Barbara Fiedler

          Feb       Juried Show, “Artists – Art Historians: A Retrospective 1972-1982”, National Conference, The Women’s Caucus for Art,m Bryce Gallery, Moore College, Philadelphia, PA

1982 May      Juried Show, “Woman as Myth and Archetype”, WWAC, Wshington, DC. Juror: Mary Beth Edelson

          Feb       Invitational, “Art is where the Heart is”, Gallery 805, Fredricksberg, VA

          Feb       “The Printmakers of the WWAC, The Torpedo Factory, Alexandria, VA

          Jan        Juried Show, “The Eye of Eleanor Monroe”, WWAC, Washington, DC Juror: Eleanor Monroe

1981 Oct.      Juried Show, “Collage and Drawing”, WWAC, Washington, DC Juror: Jan Root  

Numerous juried shows, the Art League, Alexandria, VA

Numerous group shows, Gallery West, Alexandria, VA

EDUCATION

1967 B.F.A Cornell University, Ithaca, NW

WORK EXPERIENCE

1992-currently   Teach Drawing and Watercolor, Capital Hill Arts Workshop, Washington, DC

                              Teach Art Class for Seniors, Recreation Department, Alexandria, VA

                              Teach etching workshops and watercolors at the Delray Atelier, Alexandria, VA

1987-1990           Graphic Artist, Al Porter Graphics, Washington, DC

1985 Fall               Co-Director of Gallery West, Alexandria, VA

1982                       Director of Exhibitions, WWAC, Washington, DC

1982                       Director of Gallery West, Alexandria, VA

1981                       Chair of Exhibitions Committee of Gallery West, Alexandia, VA

                                Taught watercolor classes at Washington Women’s Art Center, Washington, DC

                                Taught children’s art classes for the Arlington Recreation Department

1967-1970             Assistant Curator at the Ithaca College Museum of Art, Ithaca, NY

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE #Christine Robbins Ottaway #APRILATOZ

For more information about the #AtoZChallenge, check out this link.

stone shaped heart

your heart is an agate
clear stone

you have won
sort of
you think

but I am water
I am waves
I will smash you against the other rocks
and wear you down

I am water
I carve you like a laser
you wear my name
carved in your stone shaped heart

it is already written there
on your stone shaped heart
faint, because water wears slowly

water wearing stone
over time

_________________

April 21, 2022

talking about silence

we are talking about silence
yours deliberate
you don’t want people to know
how you make your money

you are angry, I notice
at how people treat you
you are a self made man
with a lot of money

I don’t much care
about your money
happy for you
& etc

I am more interested in silence
I go silent in Kindergarten
because I am too weird
have no tv
and want to sing

I do not bother to lie
because people don’t listen anyhow
and they don’t believe me

I listen, you say
I read everything you send me

That is not enough, I think
I don’t say it
I think about saying it
I don’t say it

I stopped sending you my poems
months ago
when you got angry
I asked if you would respond
something
a positive
a negative
even just “Read it.”
I don’t understand
why you got angry
and I am not scared
so much as surprised

I guess you brook no criticism
ever
I wonder why you must be perfect
seems tiring to me
at any rate
I am not sending you any poems
any more
since then

you could read my blog
I post some there
selected ones
unexceptional
less personal
though I suppose you could still
be angry

you say you know I am angry
when I go silent

I go silent, thinking about that

you are right that there is anger there in the room with us
you sense it
it is yours, not mine
the bear chained in the dungeon
roaring

poor bear
I send it love
and it is crying
bitter tears
wet and cold
in a pool of tears
I can’t free it
only you can

for a moment you are aware
that I am silent about my poems
then you slam the dungeon door again
and talk about guns and science
and what you will do next

and what you will do next
with your bear
and without me

___________________

For the Ragtag Daily Prompt: distorted.

needed

The Ragtag Daily Prompt today is referee. I might need one. A referee. Or a keeper.

Yesterday I went for a walk. No big deal, right? Except that I am still jet lagged from a trip and I had to stay an extra eight days because of I got (thankfully mild) covid and my muscles are still a bit weird.

I go with my friend J, who usually walks 16-20 miles on what he calls day hikes. We walk from my house to North Beach and then out North Beach nearly to Glass Beach. I bring water. He brings water and cliff bars. I eat one. We turn back. It is glorious and gorgeous and sunny and he is up visiting from Portland. We talk and talk.

I am pretty tired by the time we get to the parking lot and think, oh good. Then I remember: no, we walked from my house. Two more miles. I am trying not to limp by the time I home. He goes off to work some more and I crash on the couch.

After a bit I realize that I am not hungry and I feel peculiar and my legs hurt a lot. Uh-oh. I get up. I can’t remember the name of the muscle disorder, but I remember what it does. Seriously overdoing can cause muscle breakdown. This in turn can be very bad for the kidneys. I need fluids, right away. I mix 12 ounces of water with a little sugar and salt. Later I add bicarb, baking soda. It doesn’t taste either bad or good. I eat three dried apricots: potassium.

After 48 ounces of this and two hours, I start feeling a little better, and my kidneys start working again. My legs hurt less. I feed the cats and I still don’t want food. Ok, well, I won’t starve over night. More fluids and to sleep.

I finally have a little bit of an appetite this morning. Not much. I am tired and a bit sore but not like yesterday. Whew. I need a keeper.

P is for Paper over

I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway. Today’s post is about my mother and my sister: another woman artist. Christine Robbins Ottaway.

I do not have much of her fine art. She was a landscape architect and historic preservation expert and worked for Caltrans. She also wrote, on her blog Butterfly Soup, and in other places.

The painting is an oil, by my mother Helen Ottaway, done when my sister was 14. This painting seems especially creepy to me, the oranges and blues. I love the painting but it is frightening as well. My sister could write terrifying stories. Here is my poem about one of her stories. The title of her story is “We don’t make good wives”.

Paper over

They are papering over your memory
They want the clean version
The inhuman perfect version
I remember the violent sea serpent
Related to Aunt Nessie: me, I think

He stole your skin, you say
But you lure him to, posing
On the shore naked
And let him take you home
And impregnate you

And then you have six daughters
What did he expect? you say
Cold blooded and beautiful
White skin and greenish hair
Who all can swim like fish
and all seven search
Until you find the skin
and then away

You say, he took my skin
Now I have taken his

Let them paper over your memory
Let them pretend you were sweet
I hold your words in my mind
And I love you wholly

__________________________________

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE #Christine Robbins Ottaway #APRILATOZ

For more information about the #AtoZChallenge, check out this link.

wrong word

you are angry you say
I don’t think those are the right words, I say
not angry? you say
bored, I say

BORED you say

Yeah, I say
Well, you say you don’t love me
You say you won’t change
You say you changed once, in the past
You say you won’t go in a church
You say you did that
You say you won’t go in a casino
You did that

I’m BORED

My first thought about the church
My first thought about the casino
Is that is clearly where I can go
If I want to avoid you

My second thought about the church
My second thought about the casino
is ICK. Why am I hanging around
someone who doesn’t love me
someone who doesn’t plan to change?

My sister and I talk
about the people who don’t change
about the people who remain the same
about the stubborn who bury their heads

We notice them shrinking
as the world changes around them
the things they are willing to do
the people they are willing to talk to
the places they are willing to go
get smaller and smaller and smaller

You dream of a small cabin in the wilderness
your brother shows up and an attacking bear
in another dream I am well and busy and happy

May all your dreams come true
my love
if you really want them to

I am well and busy and happy

are you?

__________

April 18, 2022

Egg art

I have been collecting eggshells for a while. I am not sure exactly what I am going to do with them, but this is my first piece of egg art. I keep thinking about the large sugar eggs with the window, with small figures inside, that we got as children. I am saving real eggshells and bits of feather and fluff and pine cones and shells. With Easter tomorrow, I may dye some eggshells.

My mother loved dying eggs. We did not go to church but both my parents sang masses and the record player was just as likely to play Bach or Brahms or Carl Orff as the Loving Spoonful or Bob Dylan or The Beatles. We did elaborate egg dying, with wax and multiple layers of color. The complicated planned ones were often not pretty. It was the ones that we weren’t particularly trying that were often gorgeous. We always had both blown and hardboiled eggs. We would have “egg wars” when we wanted to eat one. We would each hold an egg and tap them together hard. The winner was the one with an intact egg. We ate the less pretty hardboiled ones first and the prettiest last. Mmmmm, egg salad and deviled eggs, yum.

For the Ragtag Daily Prompt: eggs.