fishers

These are fishers, from photographs sometime in 1872 to 1888. Who are they? I took a photograph of a photograph at an exhibit. The mystery is where is the exhibit? The original photograph is taken by a woman. I traveled at the end of March and early February and the mystery is where am I? Where are these photographs taken?

For the Ragtag Daily Prompt: frowzy. I think almost everyone looks a little frowzy in the 1870s to 1880s through our eyes.

April A to Z reflection

April was a very interesting month! I went to Europe for the first time since 1988 and got covid, so had to stay an extra 8 days. The version I got was a mild cold and my lungs did not get worse. Traveling on oxygen is really challenging. I was anxious to get home because my son and daughter-in-law got married after postponing in 2020 and 2021, so they married on April 30th! It was a wonderful wedding!

So, I had to do some planning for the A to Z, writing about women artists, mostly Helen Burling Ottaway, my mother. I took a number of my mother’s etchings to give to friends in Europe and used those because they were what I had. In typing up her resume, I learned more about her! She was a prolific artist and I want to get more of her art out there. I had originally planned to set up an on line shop of her work, but the Europe trip, covid and the wedding derailed that idea! I still want to do that, but I am a bit slow about it. I need to catalog and photograph her work, after I recover from the wedding extravaganza.

When I got home from my trip on April 12, I started doing two posts a day. I did the present letter and then worked from the end of the alphabet, setting up Z for Zarathustra to go live on April 30th. By the last week of April, I had it all set to go live day by day. This is good, because there was no way I would have posted from the last Wednesday on!

I did not get to surf other writers blogs as much as I had planned. Too busy in Europe and too busy with wedding. This week I mostly want to do not very much. I am sorting wedding photographs, the ones I took, and sending them to the new bride and groom.

The picture is of my two aunts at the music rehearsal. I was cantor and led the two hymns. Both of my father’s sisters are church organists. They played four hands for the processional and the recessional and were wonderful! With both my parents gone I was very very grateful to have them present.

Y is for Yellow

I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway.

My parents both loved puns and my mother loved gardening. Cowslips is an etching that is then painted with watercolors. She has a whole series of pun flower etchings.

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE #Christine Robbins Ottaway #APRILATOZ

For more information about the #AtoZChallenge, check out this link.

W is for Window

There are two Kitchen Window pen and ink drawings, then reproduced in a limited edition: this is Kitchen Window II.

My mother Helen Burling Ottaway always had a wonderfully chaotic garden inside and outside. Kitchen Window is a pen and ink drawing that she then did a limited edition of copies, numbered and signed. She had many dual drawings and etchings. One would be realistic and the second…. maybe the second is what she saw.

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE #Christine Robbins Ottaway #APRILATOZ

For more information about the #AtoZChallenge, check out this link.

U is for unruly

I am blogging from A to Z about Helen Burling Ottaway, my artist mother, and other women artists.

Artists are unruly. They are not obedient. They are usurpers. They are unreasonable. This is another etching of my mother, a self portrait, titled “Giantess”. She looks giant, rising from an ocean. Will she have arms and hands and legs, or is she an octopus? We do not know. It may depend on her mood.

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE #APRILATOZ

For more information about the #AtoZChallenge, check out this link.

T is for tree

I am blogging from A to Z about Helen Burling Ottaway, my artist mother, and other women artists.

My mother loved painting trees and doing etchings of trees, but this is a tree peony. Another etching, and this printed with two colors at the same time. Delicate work, to ink the plate with two colors and gently wipe off the excess without mixing them.

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE #APRILATOZ

For more information about the #AtoZChallenge, check out this link.

R is for Resume

I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway.

I find two copies of her resume. One is from 1991 and one from 1993. I will add the 1993 information, but it’s a LOT. My mother was prolific! She complained about getting ready for shows and I did not realize how very many she did! I am so proud of her. She died of ovarian cancer in 2000 and I do miss her still.

Helen Burling Ottaway

  Del Ray Atelier

105 E. Monroe Ave

Alexandria, VA 22301

SELECTED SOLO SHOWS

1991 Nov     Will have solo show at Bird-in-Hand Gallery, Washington, DC

1989 Sept     “Cascades: Watercolors of Washington State”, Bird-in-Hand Gallery, Washington, DC

1988 Nov     “Fantasy Etchings”, National Orthopedic Hospital, Arlington, VA

1987 Oct      “Spirits to Enforce, Art to Enchant”, Fantasy Art, River Road Uniterian Church, Bethesda, MD

1986 Mar     “Prints and Poems”, Poetry by Katy Ottaway, Martin Luther King Library, Washington, DC

1984 Nov     “Forests, Flower, and Fantasies”, Sola Gallery, Ithaca, NY

          Apr     “Birdland and other Lullabies”, Pastels, Gallery West, Alexandria, VA

1981 May    “Fantastical Bestiary”, Etchings and Drawings, Gallery West, Alexandria, VA

          Mar     “The Way of the Brush”, Watercolors, Gallery One, Alexandria, VA

TWO PERSON SHOWS

1986 Nov     Two Person Show, “An Occasional Pair of Claws”, Fantasy Art with Omar Dasent, Gallery West, Alexandria, VA

1985 Apr     Two person Show, “Figures and Foliage”, Pastels, Capital Centre Gallery, Landover, MD

1982 Nov     Two Person Show, “The Four Seasons”, Gallery West, Alexandria, VA

SELECTED GROUP SHOWS

1990 Feb     “Visions 1990” Westbeth Gallery, New York, NY

1989 Feb     “Year in—Year out”, Studio Gallery, Washington, DC

1988 Mar     “independent Visions III”, Metro Gallery, Arlington, VA

          May     Juried Show, Sculpture, The Art League, Alexandria, VA, Juror: Bertold Schmutzart

1987 Dec     Juried Show: “The Best of 1987”, Martin Luther King Library, Washington, DC, Jurors: Dr.

                     Jacqueline Serwer, Sandra Wested, Robert Stewart

1987 Apr     “Independent Visions, Fifteen Women Artists”, Metro Gallery, Arlington, VA

          Feb     “Portraits 1987”, The Art Barn, Washington, DC

1986 Oct     “Juried Show, “Printmakers VIII”, The New Art Center, Washington, DC

          Jan     “Independent Visions”, Metro Gallery, Arlington, VA

1985 Dec    Invitational, “Highlights of the Year”, Martin Luther King Library, Washington, DC. Jurors:

                     Linda Hartigan and Monroe Fabian

          Nov    Invitational, “The Macadam Nueve-Splintergreen Conspiracy Show”, Gallerie Inti,

                     Washington, DC. Curated by Omar Dasent and Ann Stein

          Oct      Juried show, “Printmakers VII”, WWAC, Washington, DC. Juror: Jane Farmer

          Mar     Invitational, “Mama, Don’t Let Your Babies Grow up to be Artists”, The Splintergreen

                      Conspiracy, Martin Luther King Library, Washington, DC. Curated by Omar Dasent

          Mar    “Shakespearean Images”, Hofstra University, Hempstead, NY

1984 Nov     Juried Show, “Printmakers VI”, WWAC, Washington, DC. Juror: Carol Pulin

           July     Juried Show, “Printmakers VI”, WWAC, Washington, DC. Juror: Jo Anna Olshonsky

           Oct      Four Person Show, “Just Four”, Galerie Triangle, Washington, DC

                        “The First Great American Camel Show”, Gallery West, Alexandria, VA

1983 Mar      Juried Show, “Printmakers V”, WWAC, Washington, DC. Juror: Barbara Fiedler

          Feb       Juried Show, “Artists – Art Historians: A Retrospective 1972-1982”, National Conference, The Women’s Caucus for Art,m Bryce Gallery, Moore College, Philadelphia, PA

1982 May      Juried Show, “Woman as Myth and Archetype”, WWAC, Wshington, DC. Juror: Mary Beth Edelson

          Feb       Invitational, “Art is where the Heart is”, Gallery 805, Fredricksberg, VA

          Feb       “The Printmakers of the WWAC, The Torpedo Factory, Alexandria, VA

          Jan        Juried Show, “The Eye of Eleanor Monroe”, WWAC, Washington, DC Juror: Eleanor Monroe

1981 Oct.      Juried Show, “Collage and Drawing”, WWAC, Washington, DC Juror: Jan Root  

Numerous juried shows, the Art League, Alexandria, VA

Numerous group shows, Gallery West, Alexandria, VA

EDUCATION

1967 B.F.A Cornell University, Ithaca, NW

WORK EXPERIENCE

1992-currently   Teach Drawing and Watercolor, Capital Hill Arts Workshop, Washington, DC

                              Teach Art Class for Seniors, Recreation Department, Alexandria, VA

                              Teach etching workshops and watercolors at the Delray Atelier, Alexandria, VA

1987-1990           Graphic Artist, Al Porter Graphics, Washington, DC

1985 Fall               Co-Director of Gallery West, Alexandria, VA

1982                       Director of Exhibitions, WWAC, Washington, DC

1982                       Director of Gallery West, Alexandria, VA

1981                       Chair of Exhibitions Committee of Gallery West, Alexandia, VA

                                Taught watercolor classes at Washington Women’s Art Center, Washington, DC

                                Taught children’s art classes for the Arlington Recreation Department

1967-1970             Assistant Curator at the Ithaca College Museum of Art, Ithaca, NY

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE #Christine Robbins Ottaway #APRILATOZ

For more information about the #AtoZChallenge, check out this link.

Q for quiet

I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway.

Landscapes can be so quiet. This watercolor is of Lake Matinenda, in Ontario, Canada, where my family has summer cabins. They are one room cabins and old and very beloved. I love the rocks at the lake and the reflections in the water. I spend every minute that I can outdoors there. If it is pouring rain or I am cooking, I am in the cabin. I sleep in a tent, because we slept in tents when I was growing up there. I like to feel the earth under the tent and the sound of the water on the rocks and the wind in the trees.

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE #Christine Robbins Ottaway #APRILATOZ

For more information about the #AtoZChallenge, check out this link.

G is for greenish blue

G for greenish blue. I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway.

Greenish blue is a stretch, but this is a blue crab. They are greenish blue. I wrote the poem and my mother did the etching. I was thinking of a cooked crab, but H. Ottaway did a live crab. I went with her to the crab restaurant, where she explained that we wanted one live crab. “One live crab?” said the restaurateur. “Yes, one live crab.” The owner shook her head, but sold us one live crab.

At home, my mother got the crab out and put it on the floor. The cat was intrigued. The crab was NOT happy. I took photographs of her drawing the crab and making the etching. Apologies for the reflections but I am not at home, so I can’t retake these!

Three photographs: Helen Ottaway drawing a blue crab on the floor, the crab and Helen running an etching on the press.

You can see the crab and her drawing it, as well as the etching press. I took the photographs in the mid 1980s.

Our poem/etching collaboration was a delight! She said that she would illustrate poems as long as they rhymed. “No free verse,” she said. “I don’t like it.” So, the poems had to rhyme. We did ten different ones. I am so glad that we did, since we didn’t have nearly enough time together!

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE