fishers

These are fishers, from photographs sometime in 1872 to 1888. Who are they? I took a photograph of a photograph at an exhibit. The mystery is where is the exhibit? The original photograph is taken by a woman. I traveled at the end of March and early February and the mystery is where am I? Where are these photographs taken?

For the Ragtag Daily Prompt: frowzy. I think almost everyone looks a little frowzy in the 1870s to 1880s through our eyes.

Local art

I took a photograph yesterday of a large chalkboard outside a coffee shop downtown. Isn’t it fabulous and creative? And she has a website, here: https://aine-sandford.format.com/#3

Now you can name another woman artist, who does chalk pastels and gorgeous water colors.

For the Ragtag Daily Prompt: creativity. My photograph of her chalk art and my blog!

Z is for Zarasthustra

Last day of April A to Z, blogging about Women Artists and particularly Helen Burling Ottaway, my mother. Can you name five women artists now?

This etching is from 1975. I was fourteen years old. I remember my parents discussing titles of etchings. My father, Malcolm Kenyon Ottaway, would often help title them. This etching is titled “Thus spoke Zarasthustra”. I wish that my parents were alive so that I could ask about this etching. Why Friedrich Nietzsche? When I am fourteen, my father receives his MA in mathematics and leaves SUNY Binghampton for a job at General Electric in Alexandria, Virginia. We move from New York State to Virginia and I start high school that year. I think that Alexandria was a much better place for my mother, all the art and artists, than for my father.

I hope that you have had a wonderful month in April: and I hold those in my heart in the war zones or who are lost and suffering.

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE #APRILATOZ

For more information about the #AtoZChallenge, check out this link.

X is for X-Acto knife

I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway.

My mother disliked cutting mats more than almost anything except vacuuming and cutting glass. In the late 1980s and early 1990s my grandmother lived two doors down in Alexandria, Virginia. My mother took over part of the basement for matting, glass cutting and framing. Times right before shows included complaints about cutting mats and glass, her saying that she didn’t have enough things framed (though she always did) and at least one piece of glass broke. The X-Acto knife was the tool for mat cutting at that time. My mother usually cut herself at least once for each show. She was particularly annoyed if she bled on the freshly cut mat or the painting or etching.

Hanging the show involves a lot of time out words as well, but she would get excited once it was hung. Then it was time for dress up. Shows were a command performance: my sister and I were to go as well. We dressed up and talked to people politely and ate the strawberries when my mother was not looking. The opening of the show would include food and usually wine. In small glasses. And no, we weren’t allowed to have any. We had to look at the art and be polite to adults.

The photograph today is another of my poems with my mother’s etching. And look, she has avoided cutting a mat. She bought special frames, with two slots. One holds the glass. The second holds the mat with the mounted etching. If the glass rests on the etching, it can ruin it. She mounted all of our ten prints and poems this way. Clever artist and they look wonderful.

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE #Christine Robbins Ottaway #APRILATOZ

For more information about the #AtoZChallenge, check out this link.

W is for Window

There are two Kitchen Window pen and ink drawings, then reproduced in a limited edition: this is Kitchen Window II.

My mother Helen Burling Ottaway always had a wonderfully chaotic garden inside and outside. Kitchen Window is a pen and ink drawing that she then did a limited edition of copies, numbered and signed. She had many dual drawings and etchings. One would be realistic and the second…. maybe the second is what she saw.

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE #Christine Robbins Ottaway #APRILATOZ

For more information about the #AtoZChallenge, check out this link.

T is for tree

I am blogging from A to Z about Helen Burling Ottaway, my artist mother, and other women artists.

My mother loved painting trees and doing etchings of trees, but this is a tree peony. Another etching, and this printed with two colors at the same time. Delicate work, to ink the plate with two colors and gently wipe off the excess without mixing them.

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE #APRILATOZ

For more information about the #AtoZChallenge, check out this link.

R is for Resume

I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway.

I find two copies of her resume. One is from 1991 and one from 1993. I will add the 1993 information, but it’s a LOT. My mother was prolific! She complained about getting ready for shows and I did not realize how very many she did! I am so proud of her. She died of ovarian cancer in 2000 and I do miss her still.

Helen Burling Ottaway

  Del Ray Atelier

105 E. Monroe Ave

Alexandria, VA 22301

SELECTED SOLO SHOWS

1991 Nov     Will have solo show at Bird-in-Hand Gallery, Washington, DC

1989 Sept     “Cascades: Watercolors of Washington State”, Bird-in-Hand Gallery, Washington, DC

1988 Nov     “Fantasy Etchings”, National Orthopedic Hospital, Arlington, VA

1987 Oct      “Spirits to Enforce, Art to Enchant”, Fantasy Art, River Road Uniterian Church, Bethesda, MD

1986 Mar     “Prints and Poems”, Poetry by Katy Ottaway, Martin Luther King Library, Washington, DC

1984 Nov     “Forests, Flower, and Fantasies”, Sola Gallery, Ithaca, NY

          Apr     “Birdland and other Lullabies”, Pastels, Gallery West, Alexandria, VA

1981 May    “Fantastical Bestiary”, Etchings and Drawings, Gallery West, Alexandria, VA

          Mar     “The Way of the Brush”, Watercolors, Gallery One, Alexandria, VA

TWO PERSON SHOWS

1986 Nov     Two Person Show, “An Occasional Pair of Claws”, Fantasy Art with Omar Dasent, Gallery West, Alexandria, VA

1985 Apr     Two person Show, “Figures and Foliage”, Pastels, Capital Centre Gallery, Landover, MD

1982 Nov     Two Person Show, “The Four Seasons”, Gallery West, Alexandria, VA

SELECTED GROUP SHOWS

1990 Feb     “Visions 1990” Westbeth Gallery, New York, NY

1989 Feb     “Year in—Year out”, Studio Gallery, Washington, DC

1988 Mar     “independent Visions III”, Metro Gallery, Arlington, VA

          May     Juried Show, Sculpture, The Art League, Alexandria, VA, Juror: Bertold Schmutzart

1987 Dec     Juried Show: “The Best of 1987”, Martin Luther King Library, Washington, DC, Jurors: Dr.

                     Jacqueline Serwer, Sandra Wested, Robert Stewart

1987 Apr     “Independent Visions, Fifteen Women Artists”, Metro Gallery, Arlington, VA

          Feb     “Portraits 1987”, The Art Barn, Washington, DC

1986 Oct     “Juried Show, “Printmakers VIII”, The New Art Center, Washington, DC

          Jan     “Independent Visions”, Metro Gallery, Arlington, VA

1985 Dec    Invitational, “Highlights of the Year”, Martin Luther King Library, Washington, DC. Jurors:

                     Linda Hartigan and Monroe Fabian

          Nov    Invitational, “The Macadam Nueve-Splintergreen Conspiracy Show”, Gallerie Inti,

                     Washington, DC. Curated by Omar Dasent and Ann Stein

          Oct      Juried show, “Printmakers VII”, WWAC, Washington, DC. Juror: Jane Farmer

          Mar     Invitational, “Mama, Don’t Let Your Babies Grow up to be Artists”, The Splintergreen

                      Conspiracy, Martin Luther King Library, Washington, DC. Curated by Omar Dasent

          Mar    “Shakespearean Images”, Hofstra University, Hempstead, NY

1984 Nov     Juried Show, “Printmakers VI”, WWAC, Washington, DC. Juror: Carol Pulin

           July     Juried Show, “Printmakers VI”, WWAC, Washington, DC. Juror: Jo Anna Olshonsky

           Oct      Four Person Show, “Just Four”, Galerie Triangle, Washington, DC

                        “The First Great American Camel Show”, Gallery West, Alexandria, VA

1983 Mar      Juried Show, “Printmakers V”, WWAC, Washington, DC. Juror: Barbara Fiedler

          Feb       Juried Show, “Artists – Art Historians: A Retrospective 1972-1982”, National Conference, The Women’s Caucus for Art,m Bryce Gallery, Moore College, Philadelphia, PA

1982 May      Juried Show, “Woman as Myth and Archetype”, WWAC, Wshington, DC. Juror: Mary Beth Edelson

          Feb       Invitational, “Art is where the Heart is”, Gallery 805, Fredricksberg, VA

          Feb       “The Printmakers of the WWAC, The Torpedo Factory, Alexandria, VA

          Jan        Juried Show, “The Eye of Eleanor Monroe”, WWAC, Washington, DC Juror: Eleanor Monroe

1981 Oct.      Juried Show, “Collage and Drawing”, WWAC, Washington, DC Juror: Jan Root  

Numerous juried shows, the Art League, Alexandria, VA

Numerous group shows, Gallery West, Alexandria, VA

EDUCATION

1967 B.F.A Cornell University, Ithaca, NW

WORK EXPERIENCE

1992-currently   Teach Drawing and Watercolor, Capital Hill Arts Workshop, Washington, DC

                              Teach Art Class for Seniors, Recreation Department, Alexandria, VA

                              Teach etching workshops and watercolors at the Delray Atelier, Alexandria, VA

1987-1990           Graphic Artist, Al Porter Graphics, Washington, DC

1985 Fall               Co-Director of Gallery West, Alexandria, VA

1982                       Director of Exhibitions, WWAC, Washington, DC

1982                       Director of Gallery West, Alexandria, VA

1981                       Chair of Exhibitions Committee of Gallery West, Alexandia, VA

                                Taught watercolor classes at Washington Women’s Art Center, Washington, DC

                                Taught children’s art classes for the Arlington Recreation Department

1967-1970             Assistant Curator at the Ithaca College Museum of Art, Ithaca, NY

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE #Christine Robbins Ottaway #APRILATOZ

For more information about the #AtoZChallenge, check out this link.

O is for Opening

I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway.

Openings, art openings, were a part of my childhood. Sometimes they were my mother’s openings. Group shows or solo shows. She cut her own mats and cut her own glass. She hated cutting glass and would be doing that right before the show was to be hung. Hanging a show is a skill in itself: the pictures at the right height and arranging them and checking the lighting. I hung a show of her work and managed to drop one picture. Glass chipped off along the edges in the frame but it did not shatter entirely. I dropped a second picture and that one DID shatter.

My mother was usually dressed in ink stained t shirts and jeans, or else very dressed up and dramatic for a show. She wore make up for shows or going out to lunch or dinner, but not daily.

We would also go to other artist’s opening. We knew many many artists and showed up for their openings. There was also a gallery in Alexandria where we thought the art was consistently awful but the food for the opening was wonderful. Whole smoked salmon, plates of pickles and olives and vegetables, and chocolate dipped strawberries. My sister and I were always cheerful going to that gallery.

Three years ago my son and daughter and future daughter-in-law went to the National Museum of Women in the Arts. It is in Washington, DC and is wonderful. It is not part of the Smithsonian. They do not have a museum devoted to women yet.

I spent time wishing that a piece of my mother’s art was in that museum. When I started this A to Z blogging, I pulled her resume out of one of the portfolios. The last section on the last page is titled:

COLLECTIONS

Library of Congress, Washington, DC
Ithaca College, Ithaca, NY
U. S. I. S, The American Embassy, Jakarta, Indonesia
The National Museum of American History, Smithsonian Institution
National Museum of Women in the Arts, Washington, DC
Numerous Private Collections

So she already HAS art in the National Museum of Women in the Arts! I did not know that. I would like to know what they have. A watercolor? Prints? She was very active in the Washington, DC Printmakers Association until she and my father moved to Chimacum, Washington State in 1996. I am so proud of her! And she is in the Library of Congress and the Smithsonian.

O for opening but it has also been a joy to open up my mother’s work and look at her resume. More about that when we get to another letter…..

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE #APRILATOZ

For more information about the #AtoZChallenge, check out this link.

Visit the National Museum of Women in the Arts: https://nmwa.org/ and advocate for women: https://nmwa.org/support/advocacy/ .

The featured image is an etching by Helen Burling Ottaway in 1971, photograph taken by Renata Fleischner. It is in their collection.

M for Maline and mothers

I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway.

Maline Robinson is a mentor to me and one of many mothers. As a baby, my mother has tuberculosis, so I am passed around and get a bit confused about the intentions of adults. Maline went to school at the University of Tennessee with my parents and knew me from birth. I went to college at the University of Wisconsin, Madison and got to know her there. I had very little money and we went second hand store shopping together. As well as her wonderful oil paintings and silk screens, she refurbished antiques and had small stalls to sell these treasures. She makes earrings, often from antique buttons, as well.

She also is a brilliant gardener. These photographs are from her house in Michigan. She lives near one of her sons and his family. My mother is gone, in 2000, so I get to visit and have her as another mother and wise woman in my life.

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE #APRILATOZ

For more information about the #AtoZChallenge, check out this link.