I can no longer tell you
The first poem in this trilogy was written in 1984. The next two were written twenty years later. Like ouroboros, the snake eating its own tail.
The first poem popped into my head while I was thinking about flowers. The second two were both problem poems. Most of my poems are problem poems: I sit down with a problem that I am working on and start writing about it. I do not know where the poem is going to go and I am always surprised. And it often goes somewhere that I don’t expect. Often it is a map for where I aspire to go emotionally, but usually I am not there yet when I finish the poem.
This poem is about a dream that helped me after my mother died and through a divorce. It was not an easy process, to look at my childhood and what happened. It can be a very frightening place to go. Good luck and health to everyone who tries.
Written in 2009.
Set a torch to me
Why don’t you?
It’s not the tearing sound of fabric
A small rip
And now a tear
That I feel
It’s the torch
I’ve been here before
A job where the idealistic came
As moths to the flame
Self-immolation
Because they had ideals
I watched and burned and rose
It’s the torch
The flames that rise
As the witch is burned
Tilts back her head
In ecstasy and knowledge
Eager to learn what she can
From these burning brands
In the burning we learn
In pain we learn
If we can remain open
Ashes fall to the ground
Buckets of water
Wash any remains to grey mud
Gone, punished
Relief for the frightened
An example has been set
No but what stirs at night
Moon or none
What rises from the mud
The ashes
Takes form
Takes flight
Laughing
Set a torch to me
Why don’t you?
And see what is created
I am growing
My shell hurts
It hurts it hurts!
I cannot shed it
I try and try and try
I fight
I seek allies and help
I fight
One year, two years, nearly three
I’m free
My shell suddenly releases and slides off
I can feel my soft body expand
To my real size
Bigger
Joy!
Oh!
They’re attacking!
Why why!
My brothers! My sisters!
No!
Your claws hurt!
They are cutting me
Ow ow stop why!
I run
Scuttle sideways
Soft and clumsy
Hide
In the mud
Why why?
Oh, my wounds ache
Stabbed
By multiple claws
Deepest pain
In my heart
At this betrayal.
I hide
I sit
I think
It was so hard
To shed my shell
Why would they attack?
Oh!
Their shells hurt too!
Their words
They were grabbing me
To try to see how I’d shed my shell
They were desperate
Oh they must be in such pain!
Can I forgive them?
Do they know not what they do?
I hide
I sit
I think
I heal
My shell is strong now
I am bigger
I will go forth
And see who is trying to shed their shell
I will try to protect the newly molted.
It seems to be one of my irritable days
They come rolling round in the month of May
I don’t feel friendly and don’t want to play
It seems to be one of my irritable days
It seems to be one of those days when I’m mad
At nothing particular. I feel really bad
I hate those damn tourists who always wear plaid
I really intensely dislike feeling sad
I haven’t felt quite this bad since last year
But I’m not one to cry. I don’t like weak tears
I’m not one to let myself feel any fears
I haven’t felt this bad for almost a year
It seems to be one of those days when I’m mad
I think I’ll go pick a nice fight with that lad
He looks too damn happy and just too damn glad
When I’m punching his lights out I won’t feel so sad
It seems to be one of my irritable days
Going to work on them just doesn’t pay
My boss’s revenge just goes on for days
Today it’s so bad that I can’t even pray
Helen Burling Ottaway, my mother, died May 15, 2000. I wrote this poem in the early 2000s. Her birthday was May 31, right near Memorial Day. Mother’s Day always falls near her death.
I am putting up a series of poems that I titled Falling angels, after a dream, where all the stars in the sky started falling. I was frightened and then realized that they were all angels. Then I was more frightened.
I think we need poetry and dreams and angels during this difficult time. Even if the angels are all falling.
I took the photograph of my mother. A friend loaned me his 35mm camera and I took one roll of pictures and gave the camera back to him. Almost all of the photographs I took were portraits.
Over and over
I resist
I stand at the edge
I stare at the torrent
The cliff
The falls
The abyss
Over and over
I let go
I fall
Over the cliff
Down the falls
Into the abyss
Over and over
I am sure
I will drown
I will lose my way
I will not surface
Ecstasy is in the air
Between trapezes
I am elsewhere
I am other
No words
No thoughts
No body
No mind
The water is cold
As I expect
When I hit
I knew by the spray
Before I jumped
Submerged
Immersed
Subversive
Over and over
I am born
From the surf
I emerge
From the waves
I am delivered
Fear is my key
Grief is my key
In the places I do
not want to go
That’s where I must go
Over and over I resist
And then let go
BLIND WILDERNESS
in front of the garden gate - JezzieG
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