April was a very interesting month! I went to Europe for the first time since 1988 and got covid, so had to stay an extra 8 days. The version I got was a mild cold and my lungs did not get worse. Traveling on oxygen is really challenging. I was anxious to get home because my son and daughter-in-law got married after postponing in 2020 and 2021, so they married on April 30th! It was a wonderful wedding!
So, I had to do some planning for the A to Z, writing about women artists, mostly Helen Burling Ottaway, my mother. I took a number of my mother’s etchings to give to friends in Europe and used those because they were what I had. In typing up her resume, I learned more about her! She was a prolific artist and I want to get more of her art out there. I had originally planned to set up an on line shop of her work, but the Europe trip, covid and the wedding derailed that idea! I still want to do that, but I am a bit slow about it. I need to catalog and photograph her work, after I recover from the wedding extravaganza.
When I got home from my trip on April 12, I started doing two posts a day. I did the present letter and then worked from the end of the alphabet, setting up Z for Zarathustra to go live on April 30th. By the last week of April, I had it all set to go live day by day. This is good, because there was no way I would have posted from the last Wednesday on!
I did not get to surf other writers blogs as much as I had planned. Too busy in Europe and too busy with wedding. This week I mostly want to do not very much. I am sorting wedding photographs, the ones I took, and sending them to the new bride and groom.
The picture is of my two aunts at the music rehearsal. I was cantor and led the two hymns. Both of my father’s sisters are church organists. They played four hands for the processional and the recessional and were wonderful! With both my parents gone I was very very grateful to have them present.
I am reading Kim Addonizio’s Ordinary Genius, A Guide for the Poet Within, for a class. In the chapter about cliches, she suggests choosing a cliche and playing with it. The first example on her list is “A sudden fear gripped me”, so she inspired this:
Upstage
A sudden fear gripped me by my nipples I hear my mother: Colder than a witch’s titty Why must the witch’s titties be cold? Must they dance naked even in the bitter winter? Can a witch retire at a certain age Sit warm, clothed, with her cat and tea By a fire with enough fuel for winter? You’d think they’d get pneumonia dancing naked In any weather; yet witches are usually old. Maybe it acts like jumping in to cold water To dance around a Beltane fire; maybe witchery is hot work and they aren’t cold at all. Maybe a witch’s titty is warm all the time And meanwhile the fear is gone, upstaged by titties.
My father would pretend to speak French, but he spoke terrible French. Right after high school my mother went to Europe with her parents. They traveled and she stayed in Paris, doing art. Her French was much better than his.
Helen Burling Ottaway was influenced particularly by Japanese art and the empty space on the page. We have an ancestor named Morris Temple. I have a photograph of him in his Civil War uniform and of his wife. He was the owner of Temple Pumps. However, the family story is that he was more interested in Japanese art then pumps and proceeded to “run the company in to the ground”. I do not actually know if this is true. My maternal grandfather’s mother was Tessie Temple, and Morris Temple was her father. My middle name is Temple and my cousin is Fred Temple Burling II but goes by Temple, as my maternal grandfather did. He was F. Temple Burling I.
My mother started a series of paintings of Mount Rainier after she moved to the Pacific Northwest in 1996. I think that she planned to do fifty views or one hundred. She did not get to finish the series but I do have some of them. La Vague and the views of Rainier are tributes to other artists that she loved.
This is an etching where more than one color is applied to the plate. This is a proof, so she is still messing around trying to decide what she wants as final colors for the edition.
Dang, I’ve got a lot of stages. So it is a long playlist! I can’t complain (yes I can), after all, I wrote the stages. Hmm, to work, to work, to play, to PEACE.
Twisting words- The Grass is Blue – Dolly Parton
Confusion- Get it Worked On -Delbert McClinton
Denial- Old Number 7- The Devil Makes Three
Bargaining – Gallows Pole- Alvin Youngblood Hart
Anger- Joanne Little- Sweet Honey in the Rock
Bitterness -The Wound That Never Heals – Jim White
Revenge -Silver Dagger- Dolly Parton
Acting Out – Pills I Took- Hank Williams III
Oppositional Defiance- All Hail- The Devil Makes Three
Grief -Days Like These – Over the Rhine
Acceptance- In my time of dying – Alvin Youngblood Hart
Forgiveness -Jesus on the Mainline – Mississippi Fred McDowell
Healing- I be your water- Sweet Honey in the Rock
Hope – So Glad I’m Here- Sweet Honey in the Rock
Reconciliation – You are loved, Victoria Williams
Peace – Everybody Ought to Know (and) Redemption Song- Sweet Honey in the Rock
Finish the quote: One of Arnold Schwarzeneggerβs most famous lines is, βIβll beβ¦β “I’ll be PEEEEACE!”
Finish the song title: One of Randy Newmanβs best known songs is βWhy Canβt Weβ¦β “Why Can’t We Peace Each Other!”
Twilight wasnβt about a teenage girl who falls in love with a vampire. What was it about? The Forks Vampire/Human/Werewolf Peace Consortium that healed the entire world.
What made Blade different from the vampires he hunted? He changed his name from Blade to Peace and his very touch brought peace to the hearts of the world of Vampires.
In what movie did Billy Crystal play a character named, Miracle Max? WORLD PEACE IS HERE
The Goonies wasnβt about a group of kids searching for a lost treasure. What was it about? Some silly kids who start a peace movement in their neighborhood and end up leading the UN.
What was name of the character than Alan Rickman played in the first movie that he starred in? PEACEMAN.
In The Professional, who does Natalie Portmanβs character shoot with a paint pellet? The Horseman of WAR. Peace ensues.
The Phantom of the Opera isnβt about a disfigured man who terrorizes a Paris opera house. What is it about? A Peace Phantom who keeps changing the tragedies into Joyous Hymns to Peace.
denise levertov writes making peace
that it is an active process
it is not the absence of war
but a process in itself: how do we make it?
Make Peace
how do we wage peace? wage is not the word we do not do it for money we must be more active than hoping engender peace? spread peace: like a pandemic a pandemic of peace
the comfort of peace the joy of peace the love of peace
the peace of the grave the peace of sleep the peace of heaven peace here now peace not distant nor below the earth peace conscious, aware and present peace alive, breathing, welling up in everyone peace here now
a pandemic of peace a river of peace peace flowing through and around, above and below us peace full, peace out, peaced let us verb it I am peaced today I peace you I peace Russia I peace the soldiers I peace the Ukraine I peace the entire world
I peace you please, will you peace me? peace me now, then there will be two and everyone else peace the world now a pandemic of peace make peace
___________________
I taped a conversation with a wren one morning in Wisconsin. I never saw my wren and clearly I have not got the language down, but she kept talking to me anyhow.
I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway.
I find two copies of her resume. One is from 1991 and one from 1993. I will add the 1993 information, but it’s a LOT. My mother was prolific! She complained about getting ready for shows and I did not realize how very many she did! I am so proud of her. She died of ovarian cancer in 2000 and I do miss her still.
Helen Burling Ottaway
Β Del Ray Atelier
105 E. Monroe Ave
Alexandria, VA 22301
SELECTED SOLO SHOWS
1991 Nov Will have solo show at Bird-in-Hand Gallery, Washington, DC
1989 Sept βCascades: Watercolors of Washington Stateβ, Bird-in-Hand Gallery, Washington, DC
1988 Nov βFantasy Etchingsβ, National Orthopedic Hospital, Arlington, VA
1987 Oct βSpirits to Enforce, Art to Enchantβ, Fantasy Art, River Road Uniterian Church, Bethesda, MD
1986 Mar βPrints and Poemsβ, Poetry by Katy Ottaway, Martin Luther King Library, Washington, DC
1984 Nov βForests, Flower, and Fantasiesβ, Sola Gallery, Ithaca, NY
Apr βBirdland and other Lullabiesβ, Pastels, Gallery West, Alexandria, VA
1981 May βFantastical Bestiaryβ, Etchings and Drawings, Gallery West, Alexandria, VA
Mar βThe Way of the Brushβ, Watercolors, Gallery One, Alexandria, VA
TWO PERSON SHOWS
1986 Nov Two Person Show, βAn Occasional Pair of Clawsβ, Fantasy Art with Omar Dasent, Gallery West, Alexandria, VA
1985 Apr Two person Show, βFigures and Foliageβ, Pastels, Capital Centre Gallery, Landover, MD
1982 Nov Two Person Show, βThe Four Seasonsβ, Gallery West, Alexandria, VA
SELECTED GROUP SHOWS
1990 Feb βVisions 1990β Westbeth Gallery, New York, NY
1989 Feb βYear inβYear outβ, Studio Gallery, Washington, DC
1988 Mar βindependent Visions IIIβ, Metro Gallery, Arlington, VA
May Juried Show, Sculpture, The Art League, Alexandria, VA, Juror: Bertold Schmutzart
1987 Dec Juried Show: βThe Best of 1987β, Martin Luther King Library, Washington, DC, Jurors: Dr.
Jacqueline Serwer, Sandra Wested, Robert Stewart
1987 Apr βIndependent Visions, Fifteen Women Artistsβ, Metro Gallery, Arlington, VA
Feb βPortraits 1987β, The Art Barn, Washington, DC
1986 Oct βJuried Show, βPrintmakers VIIIβ, The New Art Center, Washington, DC
Jan βIndependent Visionsβ, Metro Gallery, Arlington, VA
1985 Dec Invitational, βHighlights of the Yearβ, Martin Luther King Library, Washington, DC. Jurors:
Linda Hartigan and Monroe Fabian
Nov Invitational, βThe Macadam Nueve-Splintergreen Conspiracy Showβ, Gallerie Inti,
Washington, DC. Curated by Omar Dasent and Ann Stein
Oct Juried show, βPrintmakers VIIβ, WWAC, Washington, DC. Juror: Jane Farmer
Mar Invitational, βMama, Donβt Let Your Babies Grow up to be Artistsβ, The Splintergreen
Conspiracy, Martin Luther King Library, Washington, DC. Curated by Omar Dasent
Mar βShakespearean Imagesβ, Hofstra University, Hempstead, NY
1984 Nov Juried Show, βPrintmakers VIβ, WWAC, Washington, DC. Juror: Carol Pulin
July Juried Show, βPrintmakers VIβ, WWAC, Washington, DC. Juror: Jo Anna Olshonsky
Oct Four Person Show, βJust Fourβ, Galerie Triangle, Washington, DC
βThe First Great American Camel Showβ, Gallery West, Alexandria, VA
1983 Mar Juried Show, βPrintmakers Vβ, WWAC, Washington, DC. Juror: Barbara Fiedler
Feb Juried Show, βArtists β Art Historians: A Retrospective 1972-1982β, National Conference, The Womenβs Caucus for Art,m Bryce Gallery, Moore College, Philadelphia, PA
1982 May Juried Show, βWoman as Myth and Archetypeβ, WWAC, Wshington, DC. Juror: Mary Beth Edelson
Feb Invitational, βArt is where the Heart isβ, Gallery 805, Fredricksberg, VA
Feb βThe Printmakers of the WWAC, The Torpedo Factory, Alexandria, VA
Jan Juried Show, βThe Eye of Eleanor Monroeβ, WWAC, Washington, DC Juror: Eleanor Monroe
1981 Oct. Juried Show, βCollage and Drawingβ, WWAC, Washington, DC Juror: Jan Root
Numerous juried shows, the Art League, Alexandria, VA
Numerous group shows, Gallery West, Alexandria, VA
EDUCATION
1967 B.F.A Cornell University, Ithaca, NW
WORK EXPERIENCE
1992-currently Teach Drawing and Watercolor, Capital Hill Arts Workshop, Washington, DC
Teach Art Class for Seniors, Recreation Department, Alexandria, VA
Teach etching workshops and watercolors at the Delray Atelier, Alexandria, VA
1987-1990 Graphic Artist, Al Porter Graphics, Washington, DC
1985 Fall Co-Director of Gallery West, Alexandria, VA
1982 Director of Exhibitions, WWAC, Washington, DC
1982 Director of Gallery West, Alexandria, VA
1981 Chair of Exhibitions Committee of Gallery West, Alexandia, VA
Taught watercolor classes at Washington Womenβs Art Center, Washington, DC
Taught childrenβs art classes for the Arlington Recreation Department
1967-1970 Assistant Curator at the Ithaca College Museum of Art, Ithaca, NY
we are talking about silence
yours deliberate
you don’t want people to know
how you make your money
you are angry, I notice
at how people treat you
you are a self made man
with a lot of money
I don’t much care
about your money
happy for you
& etc
I am more interested in silence
I go silent in Kindergarten
because I am too weird
have no tv
and want to sing
I do not bother to lie
because people don’t listen anyhow
and they don’t believe me
I listen, you say
I read everything you send me
That is not enough, I think
I don’t say it
I think about saying it
I don’t say it
I stopped sending you my poems
months ago
when you got angry
I asked if you would respond
something
a positive
a negative
even just “Read it.”
I don’t understand
why you got angry
and I am not scared
so much as surprised
I guess you brook no criticism
ever
I wonder why you must be perfect
seems tiring to me
at any rate
I am not sending you any poems
any more
since then
you could read my blog
I post some there
selected ones
unexceptional
less personal
though I suppose you could still
be angry
you say you know I am angry
when I go silent
I go silent, thinking about that
you are right that there is anger there
in the room with us
you sense it
it is yours, not mine
the bear chained in the dungeon
roaring
poor bear
I send it love
and it is crying
bitter tears
wet and cold
in a pool of tears
I can’t free it
only you can
for a moment you are aware
that I am silent about my poems
then you slam the dungeon door again
and talk about guns and science
and what you will do next
and what you will do next
with your bear
and without me
I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway. Today’s post is about my mother and my sister: another woman artist. Christine Robbins Ottaway.
I do not have much of her fine art. She was a landscape architect and historic preservation expert and worked for Caltrans. She also wrote, on her blog Butterfly Soup, and in other places.
The painting is an oil, by my mother Helen Ottaway, done when my sister was 14. This painting seems especially creepy to me, the oranges and blues. I love the painting but it is frightening as well. My sister could write terrifying stories. Here is my poem about one of her stories. The title of her story is “We don’t make good wives”.
Paper over
They are papering over your memory They want the clean version The inhuman perfect version I remember the violent sea serpent Related to Aunt Nessie: me, I think
He stole your skin, you say
But you lure him to, posing
On the shore naked
And let him take you home
And impregnate you
And then you have six daughters
What did he expect? you say
Cold blooded and beautiful
White skin and greenish hair
Who all can swim like fish
and all seven search
Until you find the skin
and then away
You say, he took my skin
Now I have taken his
Let them paper over your memory Let them pretend you were sweet I hold your words in my mind And I love you wholly
Discover and re-discover Mexicoβs cuisine, culture and history through the recipes, backyard stories and other interesting findings of an expatriate in Canada
Engaging in some lyrical athletics whilst painting pictures with words and pounding the pavement. I run; blog; write poetry; chase after my kids & drink coffee.
Refugees welcome - FlΓΌchtlinge willkommen I am teaching German to refugees. Ich unterrichte geflΓΌchtete Menschen in der deutschen Sprache. I am writing this blog in English and German because my friends speak English and German. Ich schreibe auf Deutsch und Englisch, weil meine Freunde Deutsch und Englisch sprechen.
KO Rural Mad As Hell Blog 
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