birth

Reading about drugs

LSD
and that people re-experience the terrible trauma of birth

but wait: terrible trauma…

I had the grace and delight and sometimes terror
of catching babies, new and slippery and surprised
for nineteen years

they do not arrive traumatized

an older obstetrician
always gentle
when I would ask for help
deep calm and sometimes
he would wait for the newborn
and not rush us to the operating room

and if the child emerged
he would say “girl ears”
or “boy ears”
he always guessed
frequently wrong
his small tickle of humor
and the mother too busy at that moment
to notice at all
except that his voice was calm

I think of the one forming
in the womb
the sounds of mother’s heart and guts
dark and sounds
of father brother sister other

the first time I see
the new baby in clinic
I imitate the sound of the doppler
swish swish swish
and the newborn alerts, and knows my voice too

I think of the one forming
in the womb
and my daughter
who tried to come early
confining me to bed for three months
and adrenaline-like terbutaline
continuously
my hands tremble
my heart rate at one hundred
I knit to channel the figdets
six sweaters
and my daughter is worth it

I think of the one forming
in the womb
out of room
the space is too tight
can no longer stretch or kick
head down
ready

I think of the one forming
in the womb
saying now
I need more room
now and the cascade starts

we don’t know what starts labor
the baby or the mother
or both

now
I need more room
and the infant pushes towards the door
towards more room

and I have had
the grace and delight and sometimes terror
of catching them
slick and messy and bloody
as they emerge
into the light

open their eyes
and breathe
startled
at light and room and air

Paper of pins

For the daily prompt: Treasure.

This is another song to raise girls. My sister and I loved the double twist at the end. This is a courting song, to be sung by at least two voices. At music parties, my parents would sing it to each other. We would join in joyfully.

First voice:
I’ll give to you a paper of pins
and that’s the way our love begins
If you will marry me oh me,
if you will marry me

Second:
I’ll not accept your paper of pins
if that’s the way your love begins
and I won’t marry you oh you
and I won’t marry you

I’ll give to you a dress of red
all sewn round with golden thread
If you will marry me oh me,
if you will marry me

I’ll not accept your dress of red
all sewn round with golden thread
and I won’t marry you oh you
and I won’t marry you

I’ll give to you a coach and four
so you can ride from door to door
If you will marry me oh me,
if you will marry me

I’ll not accept your coach and four
so I can ride from door to door
and I won’t marry you oh you
and I won’t marry you

I’ll give to you the keys to my heart
so we can love and never part
If you will marry me oh me,
if you will marry me

I’ll not accept the keys to your heart
so we can love and never part
and I won’t marry you oh you
and I won’t marry you

I’ll give to you the keys to my chest
so you can have money at your request
If you will marry me oh me,
if you will marry me

I will accept the keys to your chest
so I can have money at my request
And I will marry you oh you
and I will marry you

I love coffee and you love tea
you love my money you don’t love me
And I won’t marry you oh you
And I won’t marry you

I’ll take my tea and sit in the shade
I think I’d rather be an old maid
And I won’t marry you oh you
And I won’t marry you

We were interested in the escalation of the offer and that in the end, the woman was quite clear: she did not love him and was not for sale.

There are multiple versions on YouTube with different words. I like the one by Rose Lee and Joe Maphis.

The photograph is of a sewing kit. It belonged to Margaret White, my maternal grandmother’s oldest sister. It says: J. A Henckel, Twinworks, Germany. The paper is a paper of needles, needles of different sizes. I liked small things, so my mother let me have this kit. I have used it since I was a child. Some of the pieces were missing from the start, but I suspect that those that remain are ivory. My grandmother was born in 1899, so this kit would be from the early 1900s. I carefully kept all of the needles in their paper packets.

Or

For yesterday’s daily prompt: Or.

I am looking through old photographs and wanting to escape, back. Hide. This is from 2007, my daughter on the beach. Nostalgia, but also the picture is imperfect. The horizon is not level. But I love the colors and she is so happy. The water, the sky, serendipity…

…because I am afraid of polarization and anger in our country and I am afraid, very afraid, when I read that the KKK plans a victory march. And then that turns out to be false: yet my son’s friend hears people chanting “No more safe space.” on campus on the night of the election.Β  I won’t get lost in nostalgia or an idealized vision of the past. And I want my daughter to be able to run with joy….

On death and feelings

When my mother was dying of cancer, she did not want us to cry.

So we didn’t. We had her at home in hospice for nearly six weeks and we did not cry. Almost.

My sister called me. “I started crying today, at the kitchen table.” My mother was in another room in the hospital bed. “Everyone left. No one stayed with me. Everyone left.”

I didn’t cry but when people called to say how were things, I couldn’t speak. I sat there with the phone, silent. Because what I wanted to say was my truth and I knew very well that that was not what they were calling to hear. So I did not speak.

After my mother died, time passed. I felt…. many things, but the strongest one was “I wish my mother had let me cry.” We did what she wanted. But I wanted to cry.

My sister got cancer and fought it ferociously. She refused hospice until the last week. I flew down three times in the last two months.

Six days before she died, her friend and I were helping her. “I’m sad!” said my sister.

“Don’t be sad.” said the friend.

“It’s ok to be sad.” I said. “What are you sad about?”

My sister started crying: “I won’t be at my daughter’s high school graduation! I won’t see her get ready for prom! I don’t want to leave her!”

“You won’t leave her.” I said. “You will be there. Not in this form.” I meant it absolutely.

“I want to stay!” she said.

“I know.” I said. “I am so sorry.”

With my sister, I did not do what she wanted. I thought of my mother and that I wished she had let me cry. With my sister, I tried to listen to what she wanted and listen to what I wanted. I tried to be honest with her. She even got mad!

But… I watched her go in the cancer bubble. Where fewer and fewer people were being honest. They were afraid. They did what she wanted. They wanted her to be happy. And she tried so hard….

When I had arrived for the last visit with my sister, she was sitting with my cousin. I hugged her. She was not speaking much. I asked if she would like me to sing something and she nodded. I started singing “I gave my love a cherry”, a sweet lullaby. My sister shook her head, angry and fierce. I studied her. “How about Samuel Hall?” I said. My sister smiled and nodded. I started singing “My name is Samuel Hall.” It is about a man who is going to the gallows for killing someone and he is entirely unrepentant and angry. My cousin looked at me, startled. “I haven’t thought of that song in years,” he said. We both sang it to my sister. “To the gallows I must go, with my friends all down below, damn your eyes, damn your eyes.” That was the right song, angry, resisting, raging. “Hope to see you all in hell, hope to hell you sizzle well, damn your eyes, damn your eyes.”

I flew back to work three days before my sister died. I am told that she was scared when she died. “I said, don’t be scared.” said a friend.

Why not? I thought. Why can’t the dying be scared, be anxious, be angry? Why are we afraid to let them? I would have said, Why are you scared? And I would have said, I am scared too. And sad. And angry.

I told my counselor once that my husband was on the couch, angry, and I had to leave the room.

“Why?” she said.

“I am afraid.” I said.

“Why?” she said.

“I am afraid he’s angry at me.” I said.

“So what?” she said.

I thought, so what? “I want to fix him. I want him to not be angry.” Even if it isn’t at me.

“Why can’t you stay in the room?” she said.

I practiced. I stayed in the room. He was angry, grumpy, acting out. It’s not my anger. I don’t have to fix it. It may be just or unjust. Does it really matter? It is his anger not mine. I can stay present.

A friend said that his friend was dying leaving small children. “He was so angry that almost all his friends stopped visiting.”

A man and his sister are not speaking four years after their father died because they disagreed so strongly about how his lung cancer should be treated.

An elderly woman in the hospital agrees to go home for care with her son when he is present and with her daughter when she is present. When neither is present she will not make a decision.

A woman says to me that she is angry that hospice didn’t tell her which drug to give at the end to keep her friend from being anxious.

I hope that we learn to stay present for the dying and for the living. For all of the “negative” emotions. I see most of my hospice patients want LESS medicine rather than more. As their kidneys fail, the medicines last longer. They do not want to be asleep. They may cry. They may be angry. They may be unreasonable. Why should they be reasonable or nice or peaceful?

We want most to be loved entirely. Even when we are sad or whiney or angry or anxious. Who wants to be left alone when they are afraid? I hope we all learn to stay present.

And when we were alone, in that last three days, my sister said “I’m bad!” I said, “You are not bad. You’ve done some really bad things.” She said, “I’m sorry.” I said, “I love you anyway.” And she lit up like a buddhist monk, like an angel. And we both cried and I am so glad I was there.

Panoply

I took this for Photrablogger’s Mundane Monday #79 and then am delighted with Jithin’s post. I love the row of pans, a panoply of pans. Also the breakfast was fabulous. We were the second table occupied on Sunday morning, and many of the pans were in use by the time we finished!

I was in Bellingham just Saturday and Sunday to wish my daughter happy birthday. Who can identify the restaurant?

Art at Quimper Family Medicine

I change the art at clinic, these for the summer. We had four reproductions up before, of alchemy paintings from the 1400-1600s. I thought they were creepy but also interesting and beautiful.

The painting on the left is by my mother, Helen Burling Ottaway, of my sister, Christine Robbins Ottaway. On the right is an oil by an artist that I don’t know. It looks like my father. I inherited art, but I keep finding beautiful pieces. At least I can display a little and rotate them with the seasons…

 

 

 

Unconditional

You can love the whole person
all the angel bits the joy the laughter silliness hugs
all the devil bits the anger the grumpiness sulking whines

all the bits you have too

you do not always have to like their behavior

you do not have to tolerate abuse

you can say do not be mean, tease, gossip, steal, lie

trust yourself
and don’t give in to lies

you can love the whole person
you are wholly lovable

and you do not have to stay
for a moment even

if they abuse
if they won’t stop
walk away

and maybe they will change

 

another photograph that I took solstice morning