Tag Archives: mother

by

child

some people say
they just want their children to be happy

not me
I don’t understand that
to want a child to be happy
fixed in amber
with one emotion

I want my children
to feel what they feel
to feel happy, unhappy, sad, angry
gloomy, ecstatic, joyous, jealous
snarky, sarcastic, silly, relaxed
to feel the full gamut
the full rainbow
of emotions

In my mother’s family
they pack their sorrows in their saddlebags
and ride forth singing

the trouble is
the saddlebags get heavier over time
weighted with grief and fear and anger
or whatever is unacceptable
to the family
until the horse staggers under the weight
falls over
dead

then they must try to drag the saddlebags
too heavy for the horse
through their lives

I am gifted my mother’s letters
when my mother is in the hospital
the tuberculosis sanatorium
the first letter a month
after I am born

My mother is cheerful in the letters
a little snarky about her roommate
a little lonely

But what stands out is what’s missing
She barely mentions me
in some letters not at all
her first baby
who misses her
and who she can only see outside
through a window

And what was in her saddlebags?
When she coughed blood 22 years old
and eight months pregnant
she thinks she has lung cancer
and will die

She says this without emotion
lightly
almost as a joke
a relief when it was tuberculosis
even though that meant six months
in the sanatorium
separate from her young husband
and baby
at least she was not dying

She doesn’t get to hold me again
until I am nine months
and I have no idea who she is.

The worst thing anyone can tell me
is that I should not feel the way I feel.

I shut down.
I don’t stop feeling how I feel
but that person is locked out.
I will not trust them with my feelings
for a long time
I am an expert at hiding my feelings
raised in an emotionally dangerous
household
and physician training as well.

Once on the boat
my daughter says, “Mom, I’m scared.”
My father says, “Don’t be scared or go below.”
“No.” I say, “Come here. What are you scared about?”
We have run aground.
Too impatient to wait for the tide
we are trying to winch ourselves off.
“I am scared we are trapped.” says my daughter.
“How far is shore?” I say.
We are in the marina.
“Not far.” she says.
“Could we get to shore?”
“Yes.”
“Are you still scared?”
“No.”
Soon a rowboat comes and takes the kids
to shore to play.

“Don’t be scared or go below.”
That was my childhood.
Emotions as monsters.
I went below.
I chose to make friends with the monsters.
I feel what I feel.
One friend says, “Of anyone I know,
you process your feelings in real time.”
and I laugh, but am honored,
because it took years
to reach this.

Don’t share your feelings with fools.
Don’t share your feelings with people
who want you a certain way,
or who try to control you.
You have a right to your feelings
as they are.

And this is what I want for my children.

The photograph is my mother and me in March 1963. I do not know who took it, perhaps my father. I would have been right around 2 years old and my mother was 24. I did not see these photographs from when I was first back with my parents until after they both died.

by

Ride Forth

I thought I had posted this, but I do not find it.

Ride Forth

My grandmother
Packed all her troubles in her saddlebags
And rode forth singing

My mother
Packed all her troubles in her saddlebags
And rode forth singing

My father
Was the only one
Who ever saw the contents
He tried to drown them

My mother was loved
For her charm

I ride forth
Sometimes I sing
Sometimes I weep

My saddlebags are empty

Prayer flags flutter
Slowly shred
In the wind

I write my troubles
And my joys
On cloth
And thank the Beloved
For each

My horse is white
When I sing
Black
When I cry
A rainbow of colors
In between
The whole spectrum
That the Beloved allows

After I emptied
My saddlebags
I tried to leave them
But the people I meet
Most, most, most
Are frightened

A naked woman
On a naked horse

I had to leave my village
When I learned to ride her
Made friends with her
Beloved
My village does not allow tears
When she turns black
Their saddlebags squirm and fight
The people try to throw them on my horse

In other places
The horses are all black
The white aspect of the Beloved
Frightens them
And they attack

I carry saddlebags
And Beloved is a gentle dapple gray
And the illusion of clothes surrounds me
When we meet new people
Until we know
It is safe to shine
Bright
And dark

I hope that others ride with the Beloved
In full rainbow

I ride forth
Sometimes I sing
Sometimes I weep

Even the color lonely
Is a part of the Beloved

________________________

The photograph is of a watercolor of my sister, Christine Robbins Ottaway, by my mother, Helen Burling Ottaway.

by

Music to my ears

I grew up with lots of music. My father played guitar and lute and Segovia is engraved in my memory. He and my mother sang in large choruses: the Brahms Requiem, the Mozart Requiem and Bach. We had lots of classical records. I was born in the early 60s when my parents were in college, so they had tons of records. The Band, Bob Dylan, the Loving Spoonful, Joanie Mitchell, Oscar Brand and Jean Richie. I didn’t buy my first record until I was in my early teens and I bought ABBA. My father said, “This is POP!” I said, “I am a 14 year old girl. OF COURSE it’s pop and it’s really good.” He was mildly horrified.

We sang folk songs. My parents were editing them by the time I was three, because I was memorizing the words. They put the naughty folk song records away. They avoided sentimental songs. We learned “dead girl songs”, as my sister called them (Banks of the Ohio, Long Black Veil, Clementine, When I was a Bachelor, there are a lot of educational dead girl songs). We learned lots of comic songs. We also learned work and protest songs and absorbed our parents’ hatred of discrimination.

I set up a recording session for my father and sister and I after my mother died. I have a recording of us singing Long Black Veil and other songs. Here is The Band singing it.

Let’s have a band with women too, and for me that is Sweet Honey in the Rock. Acapella, with a sign language translator, and now they have been singing for ?forty years? They have amazing children’s songs and they are willing to sing about grief and protest. They have sustained me through the loss of my mother, sister and father.

And from one of the children’s albums.

The photograph is of my father at his 70th birthday in 2008. Malcolm K. Ottaway, with Andie Makie and Coke Francis. Andie is playing harmonica, my father on guitar. Malene Robinson took these photographs. The next is me and my sister at that party.

And one more of my sister, Christine Robbins Ottaway.

For the Ragtag Daily Prompt: bands. Wait, you said keep this light. Oh, well. Fail on that.

by

Happy mum

Those aren’t mums, you say. No, I am the happy mum! My daughter has a birthday this week. I got the flowers at the Farmer’s Market and what a lovely bouquet. My car was acting up and yesterday I took it to be checked and it was the battery. Today: plumbing, sigh. But I am still a happy mum!

For Cee’s Flower of the Day.

by

mom proud

In the Vatican Museum, I note that the paintings are attributed to men. I start really looking for a woman artist. Of course, some of the male artists may have stolen the work or be “passing”. I love this small sculpture, by a woman artist. I think I saw two works clearly by women. Dear Vatican: get a clue.

Around age 13, my son listened continuously to three bands or musicians. We had two years where I swear, he wouldn’t play anything else.

And this is where I feel proud as a mom.

Jimi Hendrix. Bob Marley and the Wailers.

And the third is Sweet Honey in the Rock. African American women a capella. And so he knows about Harry Moore and Joanne Little.

Prayers for all the people discriminated against, terrorized, or in the the path of disaster. And for all the motherless children, we who have had our mothers die. Dave Van Ronk: motherless child.

Go Keb’ Mo.

by

Child memories

This photograph is from a box sent by my cousin. My sister Chris and my mother Helen. On the back it says “pear tree”. My mother would try to assemble the parts of the Twelve Days of Christmas. When I was in my teens, she would hang glittery pears on her avocado tree that she had grown from a seed. One partridge, two calling birds. She had seven tiny glass swans that she would set swimming on a mirror lake, with white fluff around it for snow. I don’t think she got past seven. My mother had wonderful traditions that she developed for Christmas. She loved the old carols and wouldn’t sing the modern ones at all.

I think my grandfather or grandmother took this photograph. I thought, why isn’t it square? But it isn’t: it was cut from a page and is a bit of a trapezoid.

My sister is about four, so this would be from around 1968.

For the Ragtag Daily Prompt: children.

by

Keeper

Here is my lovely momento.

I write a poem called “In my parents’ house”.

In 1995 my mother, Helen Burling Ottaway, makes teapots with the poem on the pot. She gives me one for Christmas.

She dies of cancer in 2000. My sister chooses my poem to read at her memorial.

A friend then reads the poem at my sister’s memorial in 2012 (also cancer), because I missed the California memorial. I was sick at home with pneumonia #2.

After she dies, I am sent a box of a few things from her house. Yarn and a second teapot. My sister had one.

I give the teapot to my niece, my sister’s daughter, telling her her grandmother made it.

My mother signed things with an H inside an O.

Here is the poem:

In my parents’ house
love is dispensed in teacups

When they notice you
Pacing in some empty mood
Or with that blank deserted face
Eyes shutters into an empty mind
They say, “Would you like a cup of tea?”

The warmth of the cup in your hands
And the hot liquid, sweet and milky
On your tongue works wonders
And binds your soul to your body

When my sister is twelve
She embroiders a patch for a quilt
In yellow flosses, a cup
with steam curling upwards
And the words, “Such a comfort. TEA.”

____________________

I think my maternal family still has the quilt, with jeans patches. My grandmother Katy B handed out squares to everyone at the cabins in Ontario and we all made squares. She and my cousin sewed them together and tied the quilt.

For the Ragtag Daily Prompt: momento.

by

Water vessel

This is a brazen water vessel that belonged to my grandparents. My maternal grandmother was born in Turkey, because her parents were Congregationalist missionaries to Turkey, my great grandfather running Anatolia College. They were escorted to the border in 1915, when my grandmother was 16 years old. Thrown out.

I have a picture of my mother, dressed in a Turkish outfit, with it on her shoulder. I wish I had more of the story!

For the Ragtag Daily Prompt: brazen.

by

Daily Evil: T is for Thief

Time is the evil thief I am thinking of today. This is my sister, Christine Robbins Ottaway, painted by Helen Burling Ottaway in the early 1970s. Time has stolen both of them.

This is another watercolor, over a pencil drawing, 10.5 inches by 14 inches.

by

Daily Evil: M is for moan

M for moan and maudlin and mourn and mountain.

Another watercolor, 14 by 27, 1987. There is another older watercolor, no year, on the reverse. Misty mountains. This could be West Virginia, the panhandle where my grandmother lived for a while, or a trip to the northwest.

M is for mother, too. I miss her.