Category Archives: rural doctor

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F is for Fish

I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway.

F is for Fish. But… it isn’t a fish, right? It’s a dolphin. At the moment I do not have access to all the art because I am on a trip. I have what I have.

This is one of my mother’s tiny etchings. It is 2 inches by 1.5 inches. She very much enjoyed the tiny etchings. She said that tiny, etching and fantasy were NOT popular with her college professors at the University of Tennessee. She said that her friend, Maline Robinson, was doing large abstract works, both silk screen and oils and that those were much more to the professors’ tastes.

Maline Robinson is another woman artist. Her silk screens are 18 by 24 except then she wanted bigger ones. She built her own frames to do 24 by 36. Her painting tend to be 4 by 6 feet, and she has done triptychs that size. Three large oils that go together. She says that most of her really large works are bought by companies, who hang them in their huge imposing atriums. The tiny dolphin would be lost.

Here is one of Maline Robinson’s works. I took the photograph a few years ago when visiting. I wanted to be immersed in the painting. I think that this one is 4 by 6 feet. I will have to contact Maline for the title!

Not all of H. Ottaway’s work was tiny. This etching is another ocean themed one, with the plate size 9 inches by 11 inches. This is a proof and I will have to look up this title as well! She has used two colors together inking the plate. That is one technique. Another is to have multiple plates and run the paper through the press multiple times.

ATOZBLOGGINGCHALLENGE2022 #art #Women artists #Helen Burling Ottaway #ATOZCHALLENGE

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E is for etching

I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway.

My mother loved water colors, but she also did etchings, for as long as I can remember. We had the largest etching press that she could get back in the 1960s. When I was 14, we moved from Johnson City, New York, to Alexandria Virginia for my father’s job. The press went into the basement, along with numerous boxes of books. Soon after we moved, there was torrential rainfall and the sewers in the Del Ray neighborhood backed up. The water stopped draining and just piled up! There was a crack in the foundation of our basement with a waterfall pouring down. My mother wanted the engine of the press saved first! She and my father and I could barely carry it up the stairs, but managed to. Next came boxes of books, some of which were so waterlogged that they were floating. The water was cold, dirty and up to my upper thighs. We unloaded box after box of wet books and spread them out to dry.

I think that my mother’s art was not in the basement, so we did not lose much of that! We installed an automatic sump pump eventually, because that was not the last flood. That was the most spectaular, though. The water was 8-12 inches deep in the front yard. Buses would still drive through the water, sending a wave to hit our front steps.

Afterwards we wished we had taken a photograph in the canoe in the front yard, to use for Christmas. Our Christmas ornaments were flooded too. All the color peels off the balls, so our tree was silver and glass that Christmas. My mother claimed she liked that better and kept it that way from then on!

Etchings are diddly, as my mother would say. A zinc plate, coated with a tar mixture. Then a drawing in the tar, set the plate in acid, and wait for the drawing to etch into the plate. At a certain point, my mother would take the tar off and run some proofs. These were experimental, trying different colors. She would put the tar back on and continue with the drawing. When she was satisfied with the proof, she would start running the edition. The tar is removed, and for each etching the plate is inked with a roller. The ink is gently wiped off, until it is light on the remaining flat parts of the plate and heavier in the lines. The plate is placed on the press, a piece of paper that is soaked is placed on the plate, heavy felt cloth is lowered over it and the plate and paper are run through the press. We had a guard, but keep your fingers away! The felt is lifted, the paper is lifted and the paper is set to dry. The plate is wiped and inked again. The edition is numbered: 1/20 or 1/50. My mother ran some plates many many times. A tiny one named Tag, of a unicorn playing tag with butterflies, is done in multiple colors. Others were a much smaller edition, of 20 or 30. The very large plates are a challenge to ink and wipe. It takes practice to wipe the ink but not wipe it out of the lines.

I have three photographs of H. Ottaway’s Iris and Poppies etching. The featured image is 17/30, colored edition, 1976. The one below is a proof for the color edition. The last one is a proof for her black and white edition.

Iris and Poppies Etching, by Helen Burling Ottaway, proof for color edition.
Iris and Poppies Etching, black and white proof, Helen Burling Ottaway, 1976.

#ATOZBLOGGINGCHALLENGE2022 # art # Women artists # Helen Burling Ottaway #ATOZCHALLENGE

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D is for drawing

I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway.

This is my sister Chris again, from a 1978 sketchbook that my mother mailed to me. My mother had a sketchbook with her most of the time. She kept everything. My father did not sort anything and I am just now beginning to catalog the art, the sketchbooks, and my mother’s diaries. My mother died in 2000 and my father in 2013. The silver lining of being off from work post pneumonia is that I am going through the boxes and beginning to organize things. It looks like it is not a small job.

#Blogging from A to Z #letter D #art #women artists #ATOZCHALLENGE

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B is for Busy and Burling

My mother, Helen Burling Ottaway, was a very busy and prolific artist.

Every New Year’s, she would resolve to paint a water color a day. By March she would complain that she had only painted 25 or 30. However, she would also be doing birthday presents for me and my sister and our father, all in March, and crafts and etchings and pastels and a life drawing class and the sketchbook that she constantly carried.

B is also for baby. The etching is of my sister, Christine Robbins Ottaway, as a baby. The title is Chris I and she did this in 1968.

I have described the process for etchings here: Four Seasons.

My mother was a very busy artist.

#ATOZBLOGGINGCHALLENGE2022 # art # Women artists # Helen Burling Ottaway

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A is for Artist: Helen Burling Ottaway

This month my topic for Blogging from A-Z is art and particularly my mother, the artist Helen Burling Ottaway, born May 31, 1938. She died May 15, 2000, of ovarian cancer. I am starting with her sketches, and the self portrait. My mother sent me a sketchbook for Christmas, 1978, that I still have. I was 17 and was an exchange student to Denmark. She drew pictures of lots of family and friends and mailed me the sketchbook. I really love it still.

I love her comments, too. They are often very funny. Here is my father and what was happening.

Sketch of Malcolm Kenyon Ottaway by Helen Burling Ottaway

#Blogging from A to Z Challenge

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Sea lions

Do you think the sea lions are talking to the Beloved? When they are on the rock with their heads tilted back, looking up?

Are they trying to feel the sun?

Do they have reflux and digest better this way?

Do you think the sea lions are talking to the Beloved?

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within normal limits

I think doctoring makes one cynical. Or at least messes up the scale of normal.

Maybe there are Marcus Welby docs out there, but I don’t know any. Doctoring messes up one’s scale. A wound is compared to black horrifying gangrene to the knee, pain is compared to screaming delirium tremens or full thickness burns or heroin withdrawal, one in four adults can be diagnosed with a psychiatric disorder at some time in their life…. so then, what is normal?

What is normal for relationships? How many deeply happy marriages do you know? If half end in divorce, what are the odds?

Where is the line in love? Where is the line between loving the other person no matter what and wait, that is domestic violence. Where is the line for abuse? Do people agree on it?

No. They do not. What I think is behavior that is frightening may be normal behavior to my partner. Is it ok to drink until one is drunk? I don’t want to be around it. I saw enough of that shit at work. I deal with addiction daily. If someone wants to get drunk, they can choose to do that. But not around me. And no, I don’t want to date them. And if they are working themselves to death, is that ok? Well, I might be a tad hypersensitive to that, since I nearly managed that myself. So I don’t want to be around that either. That might be viewed as noble self-sacrifice. But at work, I see the caregiver die before the recipient of the care, all too often. Especially in older couples, where neither one wants to let anyone in the house to help….

….but then, some people do hear me. A woman thanked me last year for saying she should quit covering for her husband. She was afraid, but backed off. He is able to do more than she expected and he also is more respectful and kind to her. She thanked me and I got all shy and tongue-tied.

My definition of love is listening. Someone who listens and hears and lets me listen and hear. When each person can say what they are thinking and feeling and wanting and worried about…. because if only one person is speaking, if only one person is determining what the relationship is, it is not a relationship.