the mystic E2 dragon

We are writing a quest where we ask different people to write more about a topic. The requests are anonymous and some are for existing titles that have no write ups. This topic was given to another person and then I was asked to write about it as well. My sister was an editor on the everything2 website. She was born in the year of the dragon. She died of cancer in 2012.

_____________________

the mystic E2 dragon

 

“Hey.”

“Hey.”

“They want me to write about the mystic E2 dragon.”

Laughs.

“So I think of you.”

Silence… a weight. “So it’s me?”

“No, but you are a dragon, born in the Year of the Dragon.”

“Like we’re Chinese.”

“Yeah, well.”

“And you are an ox.”

“Thanks.” I wait. “Come on, show up.”

The dragon is made of a coat hanger, a rough gold cloth and black felt hand sewn to the body, thin gold cloth on the wings, gold earrings with rubies for eyes. Probably fake rubies, I’m not sure. I made it in college, tail to curl around the neck so that it can sit upright on my shoulder when I walk around. A gold fire lizard. I gave it to my sister, who said I could take it back when she lay dying.

The dragon morphs and now fills the living room, pushing on the walls and squashing me. The scales are hard and hot!

“Stop it!” I say, “Don’t destroy the house!”

The dragon is now couch size. My couch groans under it. The dragon is very alive and smoke rises from her nostrils. It manages to look like my sister, like a dragon and like the borg all at once. Metal and wires on the left side of the dragon’s face, eye socket with a metal camera that whirrs.

“Mind the couch.” I say.

She shifts a little, not shrinking. I peel myself off the fireplace, with the ache of the metal insert and the mantel on my back.

“So.” I say, “what should I tell them?”

She narrows her eyes at me and shrugs.

“What do they want to hear?”

“You tell me.”

“Keep the site alive.”

“Yeah, ok.” I wait.

She looks around. “Your dust bunnies are dying of old age.”

“That’s ok.” I say. “They are better than a guard dog.”

She snorts smoke.

“Tea?” I say. I have it made already, on a tray. The tray was painted by one cousin, the tea cloth woven by another, the teapot made by our mother, with my poem on it.

She takes the cup and saucer delicately. Five claws on each forefoot.

“What’s it like?” I say.

Shrug again, as she sips the tea.

I wait.

“I’m not telling you. And this is your active imagination, so what a stupid question.”

“But I am talking to the unconscious.”

“Yeah, whatever. And anyhow, you’ve already decided, puny human.”

“Ox.”

“Ok.”

And here a curtains drops, while I thank her and we say goodbye.

 

Submitted to the Daily Prompt: candid.

Too long without touch

walk daily

without earbuds
without phone
without bluetooth

in the wild

walk daily

without family
without friends
without lovers

in the wild

no wild
you say

oh, the wild is here
there
everywhere

find a tree
find a park
find a path

dirt
ground
earth

walk daily

without earbuds
without phone
without bluetooth

in the wild

walk daily

without family
without friends
without lovers

in the wild

walk slowly

slow
each
step

in the park
in the trees
on the path

listen
to the trees
to the grasses
to the ocean
to the lake
to the desert

look up
at the birds

look down
at the insect
at the woolybear
at the mouse

walk daily

without earbuds
without phone
without bluetooth

reconnect

dirt
ground
earth

sky
fire
water
wood

walk daily

reality

connect

 

I wrote the poem this morning before the daily prompt: enlighten.

I am not enlightening you. I am enlightening ME. I need the touch of the dirt, the earth, grounding, daily.

Blessings. And this is playing: https://www.youtube.com/watch?v=u-wt7pRxWuw&index=12&list=RDTH5rqOjYAiM

 

The dead are with me

I am at the lake. There are younger people with me. We go to the graveyard. The earth is soft and loose. There are no markers or stones. We do not need them.

“I can feel the people in the earth.” says one of the younger people.

“Me too!” says another.

“Of course.” I say. I name the people under the earth and introduce them. The young people are amazed. I am surprised that they have never felt the dead. I think the cities and concrete and phones and television and computers: all of these must block the signals. But we never allowed electricity here. The phones don’t work. Candles, aladdin lamps, propane stoves and heat with wood in old cabins. Thin shacks where we hear the wind and water, and tents, lying in the embrace of the earth.

We leave but when we come back, the young start to reach down into the soft earth, arms length. “Did they die young?” one asks. “We want to know more.”

“You must be patient.” I say. “Don’t push the dead.”

Later I return a third time to sit quietly alone with the dead. Dark falls, moonless, overcast, no stars. I stand to return to the cabins and my flashlight dies. I know the paths well, but not the path to the graveyard. I tie up my long skirt and kneel. I feel the ground gently. Yes, I can feel the path. I start to crawl slowly, stopping to feel the packed worn earth. I think of wolves and cougars but none have been here for years. It is not cold enough for exposure. It is just dark and slow. The dead are with me and approve.