Tag Archives: poetry

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Between trapezes

Two and a half years
Between trapezes

Letting go is hard
Enough
But then to hang
Wait for the next
On Faith
When you can’t see your way
After a while you aren’t
Flying through the air
But falling

Falling
And screaming inside

Free fall
For hours
Days weeks years

In the company of angels
Letting go
Calls the angels
I dream of angels
Falling in a black void

And after a while
You don’t want to fall anymore
And you understand
Those who end it
It takes great strength
To hold on to the idea
That it will end.

Two and a half years
And suddenly my hands are solid
Not falling
Swinging

Joy wells up
My mind is freed
From the hard work
Of falling and screaming
And I am swinging in the air
Safe

Color is back
Sensation
Sound
Music
Taste
Food melts in my mouth

Who would not be manic?

previously published on everything2.com in 2010, written in mid-2000s.

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Angel Witness

Sometimes
Even as you make
The same mistake
Cross the threshold
Open the door
Lift the glass

You feel the presence
Of angels
Drawn by the seriousness
Of your decision

Present
Not to pull you away
From the cup
The drug
The wrong man
The dire pattern
You feel their intensity
The presence
As if outer space
Has clung to their wings
Or motes from heaven
Alien
The weight of their gaze
And their interest

Sometimes
Even as you make
The same mistake
It’s not the same
To sense an angel
Witness

previously published on an obscure writing site

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The Mother Daughter Show II

Over the last two days, I hung the Mother Daughter Show II, at the Boiler Room in Port Townsend, Washington. It will be up for the month of December.

This time it is the joint work my mother and I did in the 1980s. She did etchings to go with nine of my poems. The tenth poem was written for an etching she had already done. I asked my mother if she would do this project with me and she replied, “Only if the poems rhyme. None of that free verse stuff.”

I worked on the poems, I think with my mother’s etching style in mind. She used a zinc plate, with a tar solution on it. She would do a drawing in the tar, usually with a dental tool. The plate was placed in acid, which would etch where the tar had been scraped away. She would etch the plate multiple times, which gave different depths to the etched lines.

When the plate was finished, she would remove the tar and run an artist’s proof. She would heat the plate on a metal hot plate. She would ink it and then gently wipe the ink off until there was a very thin layer on the unetched parts of the plate. This had to be done delicately, so that the ink was not wiped out of the etching lines. She would place the plate on the press, place a piece of wet paper gently over the plate, lower the thick pile of wool pads over the paper and run the press. After the plate had gone through, the paper was peeled up and there was an etching, with the edges of the plate pressed into the paper.

Sometimes she was not satisfied and would return to the tar and change the etching. Sometimes she ran multiple proofs until she had the color right. Then she would run an edition. The print and poems are editions of fifty. Each etching is signed and numbered: 1/50, 2/50, 3/50, and so forth. We had the poems printed first, on a lead type press, and then my mother ran the etchings. We had a show in the late 1980s in Alexandria, Virginia.

My mother died in 2000. My father died in 2013. My mother was a prolific artist, so trying to deal with the estate felt insane. I put the art in a storage unit. When I had The Mother Daughter Show in July, it felt like a remembrance of my mother. And anyhow, I have to do something with the art in that storage unit, don’t I?

I find the etchings easier to show and sell then the watercolors. I want to clutch each watercolor, but eventually I will start to let go of them. I have the etching plates, too, because my mother said she was terrible at finishing editions. I have the box of poems printed on the lead press and the guides for running the edition. I do not have the press. My sister took it to California and it disappeared. That is ok, because there are presses in Port Townsend. There is a big art community, which is part of why my parents moved to this area in 1996. Art, music, gardens and boats.

My mother did many small fantasy etchings, flying elephants, fairies, a mermaid, a merman. The poems I sent her were almost all about animals. I wrote Eating Water Hyacinths and my mother did a charming etching of two manatees. She looked in various books to see what manatees looked like and then drew them. I wrote a blue crab poem and we bought a live crab. I photographed her drawing the crab, which was skittering around unhappily on the dining room floor. I enjoyed the constraint of rhymes. It made it easier to write the poems, though I am not sure why.

I have six of the series hanging in the show. I don’t currently have the other four framed. The Gallery Walk is this Saturday. I hope that people will come and perhaps we will sell one. We are also going to show the Panda Minimum, outside. The Panda Minimum is a mountain bike camping trailer, a bit like a teardrop trailer, designed and built by a local friend. We will have it outside the Boiler Room. I’ve already told the friend that I think the Panda will steal all the thunder and the art on the wall will be ignored, but ah, well. I have a third show scheduled, for June and July, at another venue. It is easier to do shows of my mother’s artwork than my own, because I think she was so good.

Also published on everything2 today.

The Boiler Room: http://www.ptbr.org/

Donate to the Boiler Room! Or come to the auction, also tomorrow!

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Twisting words

My sister got mad at me many times, but sometime in the last year of her life she said that I’d “twisted her words”. I don’t know if it was on email or on the phone, but I felt hurt. I do take people’s words seriously, I do look them over carefully, I do ask questions about what they say. The memory training as a small child, to memorize all the verses of songs, means that I have an excellent word memory. Combine that with the medical training, where you have to present an entire patient history from memory: chief complaint, history of present illness, past medical history, social history, medications, family history, physical exam, labs, xrays, specialist opinions, assessment and plan. One boyfriend complained that I would remember what he said and ask questions a week later. He’d say, “I don’t remember what I said.” But I remembered and had thought about it. It’s hard to discuss if only one of us remembers….

After my sister died, her husband got mad at me and was yelling at me on the phone about my niece. I said I would talk to my niece’s father. My brother in law continued to yell and said that I “twisted his words.” Oh.

Later an old family friend, who has known me since birth and was a huge and kind support to my sister, practically a second parent, got mad at me. He said that I “twisted his words.” I felt grim.

Then my cousin disagreed with me. We were disagreeing by email. She cut me off, saying that I “twisted her words”.

No one not intimately connected with my sister has ever said that I twist words.

So this has been hurting and now my sufi reading led me to go close to the place that hurts. Say yes.

Yes, I twist words. Words and books and songs and music were my safe place in a scary childhood. That is where I went to hide myself. I would play in mansions and palaces and forests and space stations of words. I feel safest in the real woods and sleeping in a tent…. people are what I fear most, that they will hurt me. But I say yes to twisting words: I twist them, I knit them, I paint with them, I play with them, I find joy in them, I misspell them on purpose, I adored Walt Kelley, Edward Lear, Robert Burns, Don Marquis, T.S. Eliot, C.S. Lewis, nonsense poems. Both of my grandfathers loved nonsense poetry and scurrilous poetry and they both memorized it. My father would read the Book of Practical Cats to us, and when I was little he would read Chaucer in Old English. I just threw away his note cards on Old English from college, though I wish I’d mailed them to Princeton. Never mind, I still have 20-30 boxes of my parents’ paper. I am sure that there is something that I can mail to Princeton. They, after all, are still sending him mail at my house. I memorized poetry that my father would quote and then in school, anything that I liked. “What a queer bird the frog are….”

What a queer bird, the frog are
When he sit he stand (almost)
When he walk he fly (almost)
When he talk he cry (almost)
He ain’t got no sense, hardly
He ain’t got no tail, neither, hardly
He sit on what he ain’t got hardly

I loved that poem and copied it laboriously and took it home. That is the first poem that I remember finding on my own out in the wide world, not from my parents.

I twist words. Not with malice, but with play. And that was why it hurt, my sister’s saying that I twisted words with meanness. I can let that go now. If another person who knew her says that I twist words, I can say, “Yes. I love words. I love to play with them,” and if they are angry, I can let them go…..

Let them go…..

Round of “What a queer bird” https://www.youtube.com/watch?v=UHwwJkKp7Oo&index=1&list=RDUHwwJkKp7Oo

Passenger Let her go https://www.youtube.com/watch?v=RBumgq5yVrA

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Evolution

I like this poem: http://seshatwuji.wordpress.com/2014/10/07/birth-of-the-global-brain/

I am posting a poem that I first posted on everything2 on June 6, 2014.

Evolution

The boys keep building machines
They get more and more complicated

The girls use the machines, some

The boys plug in
wire up
log on

The girls tweet
Sometimes they twerk

Some boys twerk too
And some girls log on

The boys write more languages
more programs
they translate from one to another
it all moves faster
They play games where they kill bosses
Online in groups
By the tens of thousands

It all looks a little insane

Don’t worry
Don’t fear

The boys keep building

In hopes that they will come

Some girls build
They hope they will come too

The girls are the Borg Queen
Some boys are too

“We will assimilate you,”
they say

The boys and girls say,

Yes

Please

Yes

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Say yes

At the improv tryout
for Lark in the Park
Joey said

Say yes to everything

He said

It is easier to say no
But then the improv ends

He made us try
Saying no to everything

Each skitΒ was a fight

He made us try
Saying yes to everything

Yes

We bloomed bloomed

And is that it?

All the Beloved wants?

He said
You learn to say things
Without a question
With a hint
With an idea
With a suggestion
The other actor responds

I’ve noticed
People don’t respond well
When I say
Don’t

I need to learn
To suggest
To let them choose
To change their direction
Offer
Offer
Another idea

I need to learn
To listen
When they offer
Offer
Another idea

Say yes to everything

Is that what the Beloved wants?

I say yes
yes

previously published August 10, 2009 on everything2

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sometimes the hummingbird

sometimes the hummingbird

Boa cat
meows
the meow that means she’s caught something
and wants to show me

and I go to look
it is a hummingbird
probably immature
dead

I pat her and praise her
Good Boa
I see what you caught

She taps the hummingbird
around the room a few times
but it is dead

so she eats it

and I’m crying

sometimes the hummingbird
gets eaten

and that is ok