Tag Archives: mother

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E is for etching

I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway.

My mother loved water colors, but she also did etchings, for as long as I can remember. We had the largest etching press that she could get back in the 1960s. When I was 14, we moved from Johnson City, New York, to Alexandria Virginia for my father’s job. The press went into the basement, along with numerous boxes of books. Soon after we moved, there was torrential rainfall and the sewers in the Del Ray neighborhood backed up. The water stopped draining and just piled up! There was a crack in the foundation of our basement with a waterfall pouring down. My mother wanted the engine of the press saved first! She and my father and I could barely carry it up the stairs, but managed to. Next came boxes of books, some of which were so waterlogged that they were floating. The water was cold, dirty and up to my upper thighs. We unloaded box after box of wet books and spread them out to dry.

I think that my mother’s art was not in the basement, so we did not lose much of that! We installed an automatic sump pump eventually, because that was not the last flood. That was the most spectaular, though. The water was 8-12 inches deep in the front yard. Buses would still drive through the water, sending a wave to hit our front steps.

Afterwards we wished we had taken a photograph in the canoe in the front yard, to use for Christmas. Our Christmas ornaments were flooded too. All the color peels off the balls, so our tree was silver and glass that Christmas. My mother claimed she liked that better and kept it that way from then on!

Etchings are diddly, as my mother would say. A zinc plate, coated with a tar mixture. Then a drawing in the tar, set the plate in acid, and wait for the drawing to etch into the plate. At a certain point, my mother would take the tar off and run some proofs. These were experimental, trying different colors. She would put the tar back on and continue with the drawing. When she was satisfied with the proof, she would start running the edition. The tar is removed, and for each etching the plate is inked with a roller. The ink is gently wiped off, until it is light on the remaining flat parts of the plate and heavier in the lines. The plate is placed on the press, a piece of paper that is soaked is placed on the plate, heavy felt cloth is lowered over it and the plate and paper are run through the press. We had a guard, but keep your fingers away! The felt is lifted, the paper is lifted and the paper is set to dry. The plate is wiped and inked again. The edition is numbered: 1/20 or 1/50. My mother ran some plates many many times. A tiny one named Tag, of a unicorn playing tag with butterflies, is done in multiple colors. Others were a much smaller edition, of 20 or 30. The very large plates are a challenge to ink and wipe. It takes practice to wipe the ink but not wipe it out of the lines.

I have three photographs of H. Ottaway’s Iris and Poppies etching. The featured image is 17/30, colored edition, 1976. The one below is a proof for the color edition. The last one is a proof for her black and white edition.

Iris and Poppies Etching, by Helen Burling Ottaway, proof for color edition.
Iris and Poppies Etching, black and white proof, Helen Burling Ottaway, 1976.

#ATOZBLOGGINGCHALLENGE2022 # art # Women artists # Helen Burling Ottaway #ATOZCHALLENGE

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D is for drawing

I am blogging A to Z about artists, particularly women artists and mostly about my mother, Helen Burling Ottaway.

This is my sister Chris again, from a 1978 sketchbook that my mother mailed to me. My mother had a sketchbook with her most of the time. She kept everything. My father did not sort anything and I am just now beginning to catalog the art, the sketchbooks, and my mother’s diaries. My mother died in 2000 and my father in 2013. The silver lining of being off from work post pneumonia is that I am going through the boxes and beginning to organize things. It looks like it is not a small job.

#Blogging from A to Z #letter D #art #women artists #ATOZCHALLENGE

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B is for Busy and Burling

My mother, Helen Burling Ottaway, was a very busy and prolific artist.

Every New Year’s, she would resolve to paint a water color a day. By March she would complain that she had only painted 25 or 30. However, she would also be doing birthday presents for me and my sister and our father, all in March, and crafts and etchings and pastels and a life drawing class and the sketchbook that she constantly carried.

B is also for baby. The etching is of my sister, Christine Robbins Ottaway, as a baby. The title is Chris I and she did this in 1968.

I have described the process for etchings here: Four Seasons.

My mother was a very busy artist.

#ATOZBLOGGINGCHALLENGE2022 # art # Women artists # Helen Burling Ottaway

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A is for Artist: Helen Burling Ottaway

This month my topic for Blogging from A-Z is art and particularly my mother, the artist Helen Burling Ottaway, born May 31, 1938. She died May 15, 2000, of ovarian cancer. I am starting with her sketches, and the self portrait. My mother sent me a sketchbook for Christmas, 1978, that I still have. I was 17 and was an exchange student to Denmark. She drew pictures of lots of family and friends and mailed me the sketchbook. I really love it still.

I love her comments, too. They are often very funny. Here is my father and what was happening.

Sketch of Malcolm Kenyon Ottaway by Helen Burling Ottaway

#Blogging from A to Z Challenge

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Memorial

My mother, Helen Burling Ottaway, drew my sister, Christine Robbins Ottaway, in a sketchbook in 1978. I was an exchange student in Denmark. She mailed me the sketchbook for Christmas that year. She died in 2000 and my sister died in 2012, so this is a memorial for both of them.

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memorial

Today is my sister’s birthday, Christine Robbins Ottaway. She died of breast cancer in 2012 at age 49. She had gotten stage IIIB breast cancer at age 41. She went through mastectomy, chemotherapy and radiation and was clear for two years. Then it recurred and she returned to treatment, rounds of chemotherapy, a gamma knife radiation, another gamma knife and whole brain radiation. She was very very strong and tough and fought the cancer right up until the end.

This photograph was taken at my father’s 70th birthday party, in 2008. My friend Maline took the photograph. She and other old friends gathered and we sang the family folk songs.

Here is a drawing that my mother Helen Burling Ottaway did in 1978 of Chris. My mother always had a sketchbook. This is one she sent to me, because I was an exchange student in Denmark that year. At Christmas I received the wonderful sketchbook with my mother’s comments. My sister was 14 when I went to Denmark and I was 17.

Chris Ottaway by Helen Ottaway, 1978
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small cruse

The Ragtag Daily Prompt is cruse, which I had to look up. I thought, I don’t have any earthenware. Then I thought, yes I do, but can I find it? I did.

My sister and my maternal cousins and I had elaborate doll houses with china dolls. I think the adults were trying to stave off Barbie. We collected whatever we could find for the doll house, for 8 inch dolls that were the “kids”. The adult doll was 12 inches.

The three earthenware pieces in the back are from the late 1960s or early 1970s. I am guessing SE US or Mexican. The three in front are Native American and from after 2000, at least, we got them after 2000. Possibly at a garage or thrift sale.

I think my grandmother made that dress, because of the button detail down the front and the short sleeves. I did do lots of sewing, small quilts, dresses, mattresses for the beds we made.

Here are the live cats, wondering what I am doing.

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Time marching

This is a tintype. “Tintype photography was invented in France in the 1850s by a man named Adolphe-Alexandre Martin. Tintypes saw the rise and fall of the American Civil War, and have persisted through the 20th century and into modern times.” — from here.

I do not know who this young man is, nor the year. I asked my maternal uncle before he died and he denied any knowledge of the person. He was the family historian and archivisit.

However, I have four tintypes in the box of china doll furniture clothes and accessories. My sister and I received a box of jewelry and the tintypes from my Great Aunt Esther Parr. She was my maternal grandmother’s sister and married Russel Parr. Her maiden name was White, a daughter of George White, the Congregationalist Minister who ran Anatolia College in Turkey and then moved to Greece. My sister and I divided the box of jewelry and the tintypes. There were eight so we took turns picking. We used them for dollhouse portraits, not realizing that they were real photographs. I wonder if the tintypes are from the Parr side of the family.

Last month I was missing my father on February 12. I was a month off. His birthday was today, Malcolm Kenyon Ottaway, born in 1938. I miss him now, too.

I will label more photographs, since I appear to have inherited the maternal family paper archive. There are people that I don’t know, though, and my parents are gone. My mother’s siblings have died as well. I am so glad I still have my father’s sisters.

Ask your parents about the pictures and the objects they keep, before they are gone and you lose the story. Time marches on.

For the Ragtag Daily Prompt: March.

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AtoZ Theme Reveal

My theme for the April AtoZ blog challenge this year is art. I think it will mostly be my mother’s art. She died in 2000 of ovarian cancer. My only sibling died in 2012 of breast cancer and my father in 2013 of emphysema. And I have the art: my parents were both packrats and trying to deal with the house and an out of date will took about three years. Moving stuff around, getting rid of stuff. The art initially went in to a storage unit and then into my house. My mother Helen Burling Ottaway was prolific! And she kept every single piece of art and her diaries back to high school! I found a suitcase with my grandfather’s poetry as well: that will be for another day.

This painting is of my sister. My mother started oils later in her career and Michael Platt, a DC artist, said something like, “Quit doing tiny things. Do something big.” My mother started doing life size and larger than life portraits in chalk pastel and in oils. This painting captures my sister when she was twenty: emotions. I like it but I also think that it is frightening.

Christine Robbins Ottaway age 20, by Helen Burling Ottaway, oil, 1984

http://www.a-to-zchallenge.com/