Bear with me

Merle is in his tiny cabin. The cabin far away in the woods. He is holding his guitar. When he realizes where he is, he puts down the guitar, carefully.

He hears crashing outside right away.

He looks. Bear. It rises onto it’s back feet. It is a sow, with cubs! Three!

No, thinks Merle, two cubs. And: “Kurt!” he yells, “Run!”

Kurt just looks at him and turns back to the cubs. The sow is looming outside. This is wrong, why isn’t she attacking Kurt? Kurt is pushing and wrestling the cubs, who are large.

The sow knocks on the cabin wall. “Merle?” says the sow.

Merle doesn’t say a word. This is all wrong.

“Merle?” says the sow bear. She is talking in bear noises but it’s also words in his head. “Well,” says the sow, “you said you could read my mind.”

Merle does not answer. He shakes his head. “Kurt.” he whispers.

The sow bangs on the wall again with a great paw. “You said you’d always be my friend. I miss hiking with you. The rest of it, forget it. Phone, texting, the other stuff. Let’s just hike.”

Merle remains still.

The sow drops to all fours and then sits, her front paws on her back paws. The forest is greening at the tips of the conifers. The grass is electric green from the rain. Kurt and the cubs roll around. Kurt looks ok, really.

“I gave it 50/50 from the start,” says the sow. It’s a meditative growl, if that can be imagined. “I thought you could choose. It was a lie that you could read my mind. You read what you wanted to read. I let you. I thought you’d either keep your promise or break it. I thought you could choose, but maybe I am wrong. Maybe that’s the thing about trying to control other people: if you realize that they are not controlled, you never speak to them again.” The bear rocks forward and back a little. She does not look cute. She looks lethal and smells like bear.

Her mouth opens wide and tongue lolls. “After all, I think people can change and you think they can’t. If you change, then I am right.” She coughs. Merle realizes that it’s laughter.

One of the cubs barrels into her, rolling. She swats it away. Kurt is right behind the cub, but she catches him. She sets him aside, standing up.

“Up to you,” says the bear. She turns towards the woods to the north. Kurt gives a wave and he and the cubs scramble after her.

Merle struggles out of the dream like a diver coming up from the deepest possible dive. “Kurt,” he says, “you said you’d come back and tell me the truth.” He shudders and gets up.

I took the photographs in June 2017.

Daily Evil: O is for Ornery

OOOOOO, ornery. What a lovely word! It can be purely negative or it can be positive and joking, or it can just mean stubborn.

This is one of Helen Burling Ottaway’s self portraits. My photograph, through glass. This is 20 by 26 inches, pastel chalk, dated 1979.

I had this up in the guest room, but a guest said he felt nervous with her watching. I laughed and said, “Ok, yeah, I can see that.” I moved it. My mother always looked fierce when she was concentrating. She captures that expression very well. People often thought she was angry when she was teaching, but it’s just concentration. I could tell the difference but the students could not.

And speaking of ornery:

Sol Duc helping with the photograph. Sort of.

Telegraph

Sol Duc’s posture telegraphs her thoughts. “Where have you been? This is past your bedtime/curfew. I don’t like that and I disapprove.”

“But Sol Duc, I was listening to a band, and it’s only 9 pm. My muscles are feeling better! I am not sleeping twelve hours a night.”

Elwha: “Mom, I was asleep. Why are you out? Sleeping twelve hours is nothing! I can sleep for twenty!”

Me: “Ok, ok, I am home. I am going to bed!”

Body language can say so much! For the Ragtag Daily Prompt: muscle.