Author Archives

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Black and white

Pandas are black and white, clarity
between the parts, yet both are present together
Pandemic has lessened humans charity
Stress rises, fights and a turn to war weather.
It’s hard to fight a virus way smaller than a bee
And as they change and attack birds and us anew
Frustration rises and we attack the humans that we see
We take sides, black or white, and don’t see that we’re a stew
Perspective changes, white to black and back
The pandas eat their daily bamboo pounds
Unworried which parts are white or black
I hope they are far from the crying bombing rounds
I hope every person has the charity
to give all others love and parity.

We are singing Frostiana, poems by Robert Frost, set to music by Randall Thompson, in chorus. The ending of this makes me cry:
“So when at times the mob is swayed
To carry praise or blame too far
We may choose something like a star
To stay our minds on and be staid.”

I took the photograph in Oregon this month, on a Pandasonic (ha, ha).

For the Ragtag Daily Prompt: clarity.

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Fan

There aren’t two roads diverged before me
But a fan of roads and possibilities
Poetry and writing, music and medicine,
Art and quilting, paints and knitting,
Cats and travel, dance and friends.
I spread the fan with joy
as life opens like a flower.
Not two roads, neither one best
but the daily gift of the sunrise and a song.

For the Ragtag Daily Prompt: observe.

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Peace and strudel!

After the Tweetle Beetles battle with their paddles in a puddle in a bottle on a noodle eating poodle, peace declared, they eat oodles of flapdoodles and noodles and share it with their poodle, who brings raddled strudel. Paddles down, Tweetle Beetles peace the poodle with flapdoodles and sing “Praise for peace and strudel!”

Wrong Dr. Seuss book: the Tweetle Beetles are in Fox in Socks. But this book is in my Little Free Library today, hooray!

For the Ragtag Daily Prompt: flapdoodle!

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Music to my ears

I grew up with lots of music. My father played guitar and lute and Segovia is engraved in my memory. He and my mother sang in large choruses: the Brahms Requiem, the Mozart Requiem and Bach. We had lots of classical records. I was born in the early 60s when my parents were in college, so they had tons of records. The Band, Bob Dylan, the Loving Spoonful, Joanie Mitchell, Oscar Brand and Jean Richie. I didn’t buy my first record until I was in my early teens and I bought ABBA. My father said, “This is POP!” I said, “I am a 14 year old girl. OF COURSE it’s pop and it’s really good.” He was mildly horrified.

We sang folk songs. My parents were editing them by the time I was three, because I was memorizing the words. They put the naughty folk song records away. They avoided sentimental songs. We learned “dead girl songs”, as my sister called them (Banks of the Ohio, Long Black Veil, Clementine, When I was a Bachelor, there are a lot of educational dead girl songs). We learned lots of comic songs. We also learned work and protest songs and absorbed our parents’ hatred of discrimination.

I set up a recording session for my father and sister and I after my mother died. I have a recording of us singing Long Black Veil and other songs. Here is The Band singing it.

Let’s have a band with women too, and for me that is Sweet Honey in the Rock. Acapella, with a sign language translator, and now they have been singing for ?forty years? They have amazing children’s songs and they are willing to sing about grief and protest. They have sustained me through the loss of my mother, sister and father.

And from one of the children’s albums.

The photograph is of my father at his 70th birthday in 2008. Malcolm K. Ottaway, with Andie Makie and Coke Francis. Andie is playing harmonica, my father on guitar. Malene Robinson took these photographs. The next is me and my sister at that party.

And one more of my sister, Christine Robbins Ottaway.

For the Ragtag Daily Prompt: bands. Wait, you said keep this light. Oh, well. Fail on that.