Category Archives: sing

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Jump blues

Jump is the daily prompt today  and that makes me think of JUMP BLUES!

I have been dancing jitterbug and swing and zydeco and salsa for more than 30 years. Met my kids’ father swing dancing. A friend made us a tape of Jump blues: It ain’t the meat by the Swallows is one of my favorites. GREAT song to dance too as well as being appreciative of all sizes and shapes of the opposite sex…Here is a more Jump blues: http://www.allmusic.com/subgenre/jump-blues-ma0000002678

I took the photograph at  Synchronized Swimming Nationals in 2012… speaking of jumping. This double lift is done by the other six swimmers under the water, never touching bottom.

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Beast Cthulhu and bone metastases

In 2011, when my sister wrote  Beast Cthulhu and bone metastases,  about her breast cancer being a treatable chronic illness, I was so sad…..

….because it was not true, even though I wished it was.

The perils of being the doctor sister.

It was clear that her cancer was progressing. Yes, she could request to continue treatment. Yes, they would keep treating her….

….but it wasn’t working.

The hematologist-oncologist chooses the best treatment first. Chris Grundoon was 41 and very strong and healthy so they hit the cancer as hard as they possibly could. Chemotherapy, mastectomy, radiation therapy, a second degree burn on her chest wall. It was stage IIIB to start with. Cancer is staged 0 to IV. Zero is “carcinoma in situ”, cancerous cells that have not even invaded their neighbors. Stage I is very local. Stage IV is distant metastases. Stage IIIB of ductal breast carcinoma means multiple lymph nodes, but not the ones above the collarbone, and no cancer in bone, brain, lungs or liver.

She had two years in remission.

The cancer recurred with a metastasis above the collarbone. The cancer had morphed as well, as it often does. Most, most, most of the cells were killed… but those that survived… were different. Now she was estrogen receptor negative, progesterone receptor negative and her2 negative. All genetic markers which help decide which treatment is best and how to target the cells. More and more are being found.

Our mother died of ovarian cancer. I went with her to her oncologist only once. My mother said that her CA 125 was rising, and of course she could do more treatment if she needed to. The doctor said something positive. I followed her out of the room. Once the door was shut I said, “My mother is talking about another clinical trial! She can’t do that, can she?”

“No,” said the oncologist, “Of course not. She is too advanced. But we will treat her for as long as she wants.”

Whether it works or not. Because she wants to be treated. In spite of diminishing returns.

My sister passed her five years from the day treatment ended. So technically she is in the five year survival group even though then she died. When she was diagnosed, the five year survival for her type of breast cancer and stage was about 5%. It had improved to 17% by 2011.

Her oncologist told her “I am referring you to hospice.” in the spring of 2012. She went to San Francisco to talk to another group about a clinical trial. But it was too far and too late. She refused hospice until about two weeks before she died. Fight to the end, she was willing to fight even when the oncologist said, “You are dying.” She had promised her daughter and promised her husband.

I saw her three times in the last two months before she died. She seemed angry to me on the last visit, glittering, knife edged. I tried to sing a lullaby, but she wanted something else. “Samuel Hall?” I guessed. She smiled and I sang it. My name is Samuel Hall and I hate you one and all. To the gallows I must go, with my friends all down below. Hope to see you all in hell, hope to hell you sizzle well, damn your eyes, damn your eyes. Then she trusted me to be present whether she was angry or sad or confused or once even happy, glowing, transported, transformed….

Some people do not go gentle. That is their right. It is their death, not ours, not mine.

The photograph is from the memorial here… My father had end stage emphysema, on steroids and oxygen, and I was hospitalized with strep sepsis the weekend of her first memorial in California. We could not go. Many people from our chorus Rainshadow Chorale came and we are singing the Mozart: Requiem Aeternum. My father died fourteen months later.

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Flowers

I want a love who loves me

bring me roses
write me notes

my mother-in-law’s husband
leaves a note on her pillow
with a kiss for each day
he’ll be gone

give me kisses
hold my hand
walk in the rain
in the sun
in the moonlight
on the beach
in the forest
under the stars

I want to love you

more than the rain
the sun
the moonlight
the beach
the forest
the stars

I want a love who loves me

I want a love who loves me
and I love

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sing for the girls

Sing for the girls who grow up in war zones.
Sing for the girls who grow up scared.
Sing for the girls who grow up abused.
Sing for the girls unprepared.

Sing for the girls who grow up with alcohol.
Sing for the girls who grow in broken homes.
Sing for the girls who don’t tell anyone.
Sing for the girls alone.

Sing for the girls who grow up beaten.
Sing for the girls who grow up raped.
Sing for the girls who care for siblings.
Sing for the girls who learn to hate.

Sing for the women who now look frozen.
Sing for the women who now look old.
Sing for the women who survived it anyway.
Sing for the women who told.

Sing for the girls who grow up broken.
Sing for the girls who break everything.
Sing for the girls who break the silence.
We are broken and breaking: sing.

I took the photograph at the US Synchronized Swimming Nationals in 2012.

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E for Envy

E for envy. Envy is the second of the 7 sins. Perhaps a sin, but we are all human. I think that we all have the full spectrum of feelings. It is not a matter of refusing to feel something: that does not work well. My minister speaks of when we feel very virtuous and raised up, that is when we are most in danger of treating others badly, and he quotes Luke.

Luke 11:43 “Now when the unclean spirit goes out of a man, it passes through waterless places seeking rest, and does not find it. 44″Then it says, ‘I will return to my house from which I came’; and when it comes, it finds it unoccupied, swept, and put in order. 45″Then it goes and takes along with it seven other spirits more wicked than itself, and they go in and live there; and the last state of that man becomes worse than the first. That is the way it will also be with this evil generation.”

Is the unclean spirit a feeling that we think is a sin or a feeling we interpret as bad or evil? That could be one interpretation.

In contrast, Mewlana Jalaluddin Rumi in The guesthouse says:

Every morning a new arrival.

A joy, a depression, a meanness,
some momentary awareness comes
As an unexpected visitor.
Welcome and entertain them all!

And why welcome and entertain them all?

Even if they’re a crowd of sorrows,
who violently sweep your house
empty of its furniture,
still treat each guest honorably.
He may be clearing you out
for some new delight.

The dark thought, the shame, the malice,
meet them at the door laughing,
and invite them in.

Be grateful for whoever comes,
because each has been sent
as a guide from beyond.

—–translation by Coleman Barks

So: envy

noun, plural envies.
1. a feeling of discontent or covetousness with regard to another’s advantages, success, possessions, etc.
2. an object of such feeling:
Her intelligence made her the envy of her classmates.
3. Obsolete. ill will.
verb (used with object), envied, envying.
4. to regard (a person or thing) with envy: She envies you for your success. I envy your writing ability.
He envies her the position she has achieved in her profession.

E

I did Gallery Walk in our downtown on Saturday. We are blessed with artists and there were many pieces that I liked. I did not buy any. I ended up in a small shop with singing bowls. The owner sells them but he also has a set that he keeps. He started to play the bowls, each on it’s small cushion. I have three bowls, smaller ones, that I have bought over the years. I love the ring and the resonance and the held note. But I learned something new: he used the felted end of the mallet and could make the bowl sing another way. I have never seen this before. Some bowls sing a different note with the felt. I covet the large deep bowls: I bought the largest one I could afford five years ago. But his are gorgeous in sound. I looked at a price tag. Ten times the cost of the one I bought.

He also explained that different notes are used for healing and for the different chakras. The size and the thickness of the bowl affects the note, whether it is high or low, whether it rings. The metal affects it as well and he has a bowl with meteorite. A full set would be seven, though many people use sets of three that sing together.

I bought mine separately, so I came home to try whether any would sing with felt and whether they are tuned to each other. They are tuned, but I cannot make them sing with the felt yet. I will take them to him for a lesson…. I am envious of his bowls….

And the photo is my daughter, at the end of a twelve mile mountain bike race Sunday. She does not even look tired! I am envious of how in shape she is: she swims three to five miles six days a week during swim season and exercises most days. I am just starting to build back up, but I am unlikely to catch up with her! Envy… I am hoping that it will motivate me to exercise more….

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Songs to raise girls: My name is Samuel Hall

The last time I visit my sister in hospice, my cousin is sitting by the bed when I arrive.

My sister looks terrible and like she is suffering. She is in renal failure and her eyes are slitted against the light. She is in a hospital bed and barely eating. It takes me three days to figure out how to make her comfortable.

But when I first arrive, I say hello and hug her. She laughs and it is dark.

She doesn’t want to talk. “Shall I sing to you?” I ask.

She nods.

I start singing a lullaby: I gave my love a cherry.

She shakes her head: no.

I study her. “How about Samuel Hall?”

She smiles and nods.

“My name is Samuel Hall,
Samuel Hall, Samuel Hall.
My name is Samuel Hall
And I hate you one and all
you’re a bunch of buggers all
damn your eyes, damn your eyes
you’re a bunch of buggers all
damn your eyes.”

Another song to raise girls. We adored it, because it is unrepentant, horrible and had swears.

I killed a man tis said
and I left him there for dead
with a bullet in his head
damn his eyes

My cousin’s eyes widen. “I haven’t thought of that song in years.” he says. He starts singing along, remembering.

They took me to the quod
They left me there by God
With a ball and chain and rod
Damn their eyes

My cousin has two children. I guess he is not raising them with the dark songs we were raised with….

The preacher he did come
And he looked so goddamn glum
As he talked of Kingdom Come
Damn his eyes

My sister is smiling, eyes slit against the light, angry.

The sheriff he came too
With his boys all dressed in blue
They’re a bunch of buggers too
Damn their eyes

To the gallows I must go
With my friends all down below
Saying “Sam, I told you so.”
Damn their eyes

I see Nellie in the crowd
I am shouting right out loud
I shout “Nellie, ain’t you proud!
Damn your eyes!”

“Let this be my parting Nell
Hope to see you all in Hell
Hope to Hell you sizzle well
Damn your eyes!”

And my sister laughs and then she sleeps for a while, angry, angry at death.

My name is Samuel Small: http://www.wtv-zone.com/phyrst/audio/nfld/02/sam.htm
My name is Samuel Hall: https://www.youtube.com/watch?v=iSpk1t4WYNY
My name is Samuel Hall: https://www.youtube.com/watch?v=pxiPCw21T-w
and Johnny Cash: https://www.youtube.com/watch?v=Ss_KyPfM1es

This is not the suffering photo. I can’t bear to post that….

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Songs to raise girls: Long Black Veil

 

This and The Fox are what I think of as the two core family songs. We sang this from as early as I can remember and my father played the Band’s version on the record player all the time. I taped his records to take to college…

This is the song my parents chose to raise girls on? Oh, and I do have it memorized….

Ten years ago on a cool dark night
There was someone killed ‘neath the town hall light
There were few at the scene and they all did agree
That the man who ran looked a lot like me

Ok, it starts with a murder. Someone is killed, in the town, at night. Be careful, little girls, bad things can happen at night.

The judge said “Son, what is your alibi?
If you were somewhere else then you won’t have to die”
I spoke not a word although it meant my life
I had been in the arms of my best friend’s wife

It is about infidelity and not only infidelity, but infidelity with his best friend’s wife. This song is a morality play. He doesn’t speak. I see the magazines at the counters in the grocery store and think about how different this song is from our current culture. Divorce and splashed all over the papers, that’s what the celebrities do today.

She walks these hills in a long black veil
She visits my grave where the night winds wail
Nobody knows, no, and nobody sees
Nobody knows but me

So she doesn’t speak either. She remains faithful to him in visiting his grave, but the marriage must continue, because she only goes at night.

The scaffold was high and eternity neared
She stood in the crowd and shed not a tear
But sometimes at night when the cold wind moans
In a long black veil she cries over my bones

She watches him die for what they considered a sin. This song is about ethics, really. The two of them had broken their code of honor and paid the price, which was that he died for a different crime. And did the man who really killed the person in the first stanza then go free?

Why wouldn’t they speak up? Perhaps she had children and he couldn’t support them. Perhaps they truly considered it a sin, a dishonor, a horrible mistake. Perhaps honor and honoring his best friend was more important than love…. Our current culture seems to think that love conquers all, but it doesn’t in this song. Did they do the right thing? This is a song to discuss and to think about and yes, a song to raise girls.

Though I think the husband and any children would know that there was something…. a parent and partner can’t really hide that deep sorrow….

It was written by Danny Dill and Marijohn Wilkin in 1959 and originally recorded by Lefty Frizzell.

Lefty Frizzell: [https://www.youtube.com/watch?v=50k18gL76AU]

The Band, 1968

Johnny Cash, 1968

Lots of others…. and us.

The photo is me and my sister, probably in 1993 or 1994.

 

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Songs to raise girls: Billy Barlow

I knew the song “Billy Barlow” as “Let’s go hunting”. It was one of the silly songs that we recorded. I adored this song when I was little for two reasons. One was that it was funny. The other was that I interpreted it as a song that could be changed and sung about more than one animal. I can remember when I realized that no, the adults sang it the same way each time and they would not change the animal. I was disappointed but I still loved the song. And I could change the animal on my own.

It’s a good song to raise girls: an illustration of a group of guys….

Let’s go hunting, says Risky Rob
Let’s go hunting, says Robin to Bob
Let’s go hunting, says Dan’l and Joe
Let’s go hunting, says Billy Barlow

When my son was a teen, another parent commented that the IQ dropped in half for each teen added to a group. Two boys cut the IQ in half, three had it to one quarter and four was trouble.

What’ll we hunt for, says Risky Rob
What’ll we hunt for,
What’ll we hunt for,
Let’s hunt rats, says Billy Barlow

How’ll we catch them,
How’ll we catch them,
How’ll we catch them,
Let’s borrow a shotgun, says Billy Barlow

How’ll we divide them,
How’ll we divide them,
How’ll we divide them,
How’ll we divide them, says Billy Barlow

I also loved this song because the last line changed. Sometimes Billy Barlow said the same thing and sometimes he said something different. When I was very small and still learning the song, that was part of the joy of it, to see what Billy Barlow would do. And clearly he was wicked, like Coyote or Pan or Loki and going to lead the group to trouble if he could….

I’ll take shoulders,
I’ll take sides,
I’ll take hams
Tailbone mine, says Billy Barlow

How’ll we cook them,
How’ll we cook them,
How’ll we cook them,
How’ll we cook them,

I’ll fry shoulders,
I’ll boil sides
I’ll bake hams,
Tailbone raw, says Billy Barlow

Oh, delicious ickiness, raw rat tailbone… It would give my sister and me shivers….

Let’s go hunting, says Risky Rob
Let’s go hunting, says Robin to Bob
Let’s go hunting, says Dan’l and Joe
Let’s stay home, says Billy Barlow

And relief. Billy was messing with them all the time and he doesn’t want to go and he never did, which is why he suggested a shotgun to hunt rats…. I like this Billy.

When I search on Billy Barlow, here is an entirely different song, a civil war marching song for Company B from New York City that marched into Maryland in 1863 and had a 63% loss. My sister had a civil war marching band play at her rehearsal dinner and we ended up marching in pea gravel for a couple hours. It turns out that my oldest cousin had ambitions to be a marching band drum leader. The band thought we were so funny that they offered to return. But the civil war fighters on both sides had marching bands with them. https://www.youtube.com/watch?v=M1ZlfsP7dZA

And here is Pete Seeger with our song, in a slightly different style: https://www.youtube.com/watch?v=FrgTOPufru4

And here is another site that says the song is a version of “The Cutty Wren” or “The Hunting of the Wren”. https://www.youtube.com/watch?v=P_oAPCVkMP0

The picture is my daughter. She was playing alone and was having a wonderful time with her imagination. I am not sure who took this picture…..

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Songs to raise girls: Dark as a Dungeon

We sang Dark as a Dungeon as a family song and at singing parties from when my sister and I were very little. We learned many of the songs before we knew what the words meant. At some age I considered this a cautionary song and was glad that my father was not mining coal. I also decided that I didn’t want to mine coal.

It was written by Merle Travis, whose father was a miner in an Appalachian shaft mine: https://www.youtube.com/watch?v=-FPmSLzsbdM&list=RD-FPmSLzsbdM#t=1. Johnny Cash sang it: and Willie Nelson: https://www.youtube.com/watch?v=nKGCKwACj1I and Willie Nelson https://www.youtube.com/watch?v=s66nbyzqq8o. It became a protest song, to fight for safer conditions. We learned this and Drill ye Terriers, Drill and Sixteen Tons, so we were raised on protest songs.

The song words have morphed a little, since we sang from memory. Here is our version:

Come all ye young fellows so young and so fine
And seek not your fortune in the dark, dreary mines
It will form as a habit and seep in your soul
‘Til the stream of your blood runs as black as the coal

Where it’s dark as a dungeon and damp as the dew
Where the danger is double and the pleasures are few
Where the rain never falls and the sun never shines
It’s dark as a dungeon way down in the mines

I wrote an essay in college about a song that I learned from my mother. I researched versions of Green Grow the Rushes Oh. I had always wondered about some of the verses, because it’s a counting song, from one to 12. Twelve for the twelve apostles and eleven for the eleven that went up to heaven. In an atheist household it takes a while to figure out the meaning of apostle. But other verses are mysterious to this day: nine for the nine Bright Shiners and eight for the April Rainers. In oral traditions if you forget a verse you make up a new one.

There’s many a man that I have seen in my day
Who lived just to labor his whole life away
Like a fiend with his dope and a drunkard his wine
A man will have lust for the lure of the mine

The comparison of  mining to addiction impressed me: “it will creep in your soul, til the stream of your blood runs as dark as the coal”. “Like a fiend with his dope” — opiate addicts were called fiends. And people were called drunkards. So this song also made me cautious about both drugs and alcohol.

We didn’t learn the third verse:

The midnight, the morning, or the middle of the day
It’s the same to the miner who labors away
Where the demons of the death often come by surprise
One fall of the slate and you are buried alive

The last verse interested me. I liked the idea of bones turning to coal over time. My parents were atheists and did not go to church, but there were lots of songs that talked about God or heaven or the devil: including sacred music. We went to big chorus rehearsals when my parents couldn’t find a sitter and we were expected to behave politely during concerts: The Messiah. And we got to go to operettas. I saw Ruddigore in Ithaca at Cornell when I was 5 and the ancestral ghosts stepping out of their portraits and singing was terrible and wonderful.

I hope when I’m gone and the ages shall roll
My body will blacken and turn into coal
Then I’ll look out the door of my heavenly home
And I’ll pity the miners A-diggin’ my bones

The photo is my father’s family and he is in the back, first trumpet. This is the Bayers Family Orchestra. My great grandfather is conducting, my grandmother on violin and my grandfather on saxophone. They became a band when my grandparents moved away, because my grandmother was the only string player.

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Songs to raise girls: Down by the Salley Gardens

In 2009 my sister came to visit for spring break and our birthdays. We were born in March, five days and three years apart. I said that her birthday present was arranged: a recording session with me, her and my father, to record some of the family songs that we had been singing since birth.

My family had music parties in the 1960s on the east coast and when they were in college at the University of Tennessee. My mother had quit Cornell and my father had quit Princeton and they got married and went to the U of TN and I was born 9 months later. They were very poor. My mother said that she wanted to buy me a three dollar teddy bear but that they just couldn’t afford it.

They did not have a television. They were beatniks and admired On the Road. My father’s family all played instruments and sang. My mother had a much less trained voice but she had a prodigious memory and knew the fourth, fifth, sixth and all the verses of the folk songs. My father also sang classical music and had already sung at Carnegie Hall in his prep school chorus, Williston Prep School. He hated prep school. He had a full scholarship there and to Princeton because he scored perfectly on the early SAT test.

My parents refused to get a television until I was nine and my sister was six. So we sang.

My sister’s response to the birthday present: “Best Birthday Gift Ever.”

She had cancer and my father had emphysema. My mother had died in 2000. I was trying to capture their voices.

We recorded for two two hour sessions in a local in home studio. We made a list of songs and lost it on the way there. So we just took turns naming songs. Both my sister and my father play guitar. I brought kazoos, which we used on a round. We recorded each song once and in two days we recorded 36 songs.

I bought two more recording sessions at silent auctions, but we did not get to record again. And now they are both gone.

_________________________________________

My mother and father would sing “Down by the Salley Gardens” as a duet. He was a baritone and low bass. She was an alto. My sister and I sang her part in the recording.

Down by the salley gardens my love and I did meet;
She passed the salley gardens with little snow-white feet.
She bid me take love easy, as the leaves grow on the tree;
But I, being young and foolish, with her would not agree.

In a field by the river my love and I did stand,
And on my leaning shoulder she laid her snow-white hand.
She bid me take life easy, as the grass grows on the weirs;
But I was young and foolish, and now am full of tears

by William Butler Yeats in 1889

Listening to it, I miss my mother, my father, my sister. I miss singing with them. It was a love duet for my parents, and full of longing.

The photo is my parents, in about 1960.